the subject of their first efforts a species of work so contrary to the manners and traditions of all the schools? Setting aside written testimony, and consulting the engravings themselves which have been handed down to us from former centuries, we are entitled to say that the very oldest playing cards are, at the most, contemporaneous with the "St. Christopher" of 1423 and the oldest known wood-cuts, inasmuch as the engraving of these cards certainly does not date back beyond the reign of Charles VII. That the Italian, German, or French _tarocchi_ (ornamented chequers or cards) were in use before that time is possible; but as none of these early _tarocchi_ have survived, it cannot be known to what extent they represent the progress of the art, and how far they may have served as models for other xylographic works: even though it be true that relief engraving, and not merely drawing with the pen, was the means first employed for the making of the _tarocchi_ mentioned here and there in the chronicles. Such French cards as have come down to us would lead us to believe, in any case, that the progress was slow enough, for they still reveal an extraordinary want of experience both as to shape and effect, and have all the timidity of an art still in its infancy. This must also be said of works of the same kind executed in Germany in the fifteenth century; except the cards, attributed to a contemporary of the Master of 1466, and these are engraved on metal. In Italy alone, cards, or rather the symbolical pieces known rightly or wrongly by the name of _tarocchi_, possessed, from an artistic point of view, real importance from the time when engraving on metal had begun to take the place of wood-cutting. The artists initiated by Finiguerra into the secrets of the new method displayed good taste, knowledge, and skill; and in such less important work, as well as in that of a higher order, their talent at last inaugurated an era of real progress and of fruitful enterprise. It is of no consequence, for the matter of that, whether wood engraving was first applied to the making of pious pictures or to the manufacture of cards. In any case the process is generally looked upon as the oldest method of engraving, and as the first to give types to be multiplied in proofs by printing.