Engraving: Its Origin, Processes, and History — John Shaqi
Engraving: Its Origin, Processes, and HistoryDelaborde, Henri, comte
History
Engraving: Its Origin, Processes, and History
Delaborde, Henri, comte
Engravers -- Great Britain; Engraving -- Great Britain; Engraving -- History
Perhaps this double revolution, so potent in its general effect and
in its influence on modern civilisation, may have appeared to those
engaged in it no more important than a purely industrial improvement.
Surely, for instance, we do no injustice to Gutenberg if we accept
with some reserve the vast political and philosophical ideas, and the
purposes of universal enfranchisement, with which he has been sometimes
credited? Probably the views of the inventor of printing reached
neither so far nor so high. He did not intend to figure as an apostle,
nor did he regard himself as devoted to a philanthropic mission, as we
should put it in the present day. He considered himself no more than a
workman with a happy thought, when he proposed to replace the lengthy
and costly labours of the copyist by a process so much cheaper and so
much more expeditious.
A somewhat similar idea had already occurred to the xylographic
printers. Even the title of one of the first books published by them,
the "Biblia Pauperum," or "Bible for the Poor," proved their wish to
place within the reach of the masses an equivalent to those illuminated
manuscript copies which were only obtainable by the rich. One glance at
the ancient xylographic collections is enough to disclose the spirit
in which such work was undertaken, and the design with which it was
conceived. The new industry imitated in every particular the appearance
of those earlier works due to the pen of the scribe or to the brush of
the illuminator; and, perhaps, the printers themselves, speculating
on the want of discernment in the purchasing public, thought less of
exposing the secret of their method than of maintaining an illusion.
Public-domain text, read in full here on John Shaqi.
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