Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
“Dunbar, with never-flagging spirit, attempts every style....
His flowers are too flowery, his odours too fragrant; by
moments it is no longer a delight, but almost a pain. It is not
sufficient that his birds should sing; they must sing among
perfumes, and these perfumes are coloured.”
Has M. Jusserand ever read _The Dance of the Seven Deadly Sins_, _The
Twa Maryit Wemen and the Wedo_, and the minor poems of Dunbar? If he
has, would he pronounce that these “flowers” are “too flowery”--these
“odours” “too fragrant,” or would he feel the absurdity of generalizing
on ludicrously insufficient knowledge? His verdicts on the other Scotch
poets are marked by the same superficiality, and we regret to add
flippancy. To class Henryson among poets whose style is “florid” and
whose roses are “splendid but too full-blown” is to show that M.
Jusserand knows as little about him as he seems to know about Dunbar. In
all Henryson’s poems there are only three short passages which could by
any possibility be described as florid. The prose of the fifteenth
century fares even worse at his hands. Capgrave is mentioned only in the
bibliography! Of the interest and importance of Pecock, historically and
intrinsically, he appears to have no conception; on the real
significance of the _Repressor_ he never even touches, and how indeed
could he in the less than one page which is assigned to one of the most
remarkable writers in the fifteenth century? A page suffices for the
_Paston Letters_, and four lines for Malory’s _Morte d’Arthur_!
Now we would ask M. Jusserand, in all seriousness, what possible end can
be served by a book of this kind, except the encouragement of everything
that is detestable to the real scholar: superficiality, want of
thoroughness, and false assumption, and what is more, the public
dissemination of error, and of crude and misleading judgments. Such a
work as the present, the soundness and trustworthiness of which
ninety-nine readers in every hundred must necessarily take for granted,
can only be justified when it proceeds from one who is a master of his
immense subject, from one whose generalizations are based on amply
sufficient knowledge, whose suppressions and omissions spring neither
from carelessness nor from ignorance, but from discrimination, and in
whose statements and judgments implicit reliance can be placed. To none
of these qualifications has M. Jusserand the smallest pretension.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account