Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
We have no wish to seem discourteous to M. Jusserand or to say anything
which can cause him annoyance, but it is no more than simple duty in any
critic with a becoming sense of responsibility to discountenance in
every way the production of such books as these. They are not only
mischievous in themselves, but they form precedents for books which are
more mischievous still. We like M. Jusserand’s enthusiasm, but we would
exhort him to reduce the flatulent dimensions, which his ambition has
here so unhappily assumed, to that more tempered ambition which gave us
the monographs on Piers Ploughman and on the Tudor novelists.
DE QUINCEY AND HIS FRIENDS[26]
[Footnote 26: _Personal Recollections, Souvenirs, and Anecdotes of
Thomas De Quincey and his Friends and Associates._ Written and collected
by James Hogg.]
To a thoughtful reader there is, perhaps, no sadder spectacle than those
sixteen volumes which represent all that remains to us of Thomas De
Quincey. What superb powers, what noble and manifold gifts, what
capacity for invaluable and imperishable achievements had Nature
lavished on this extraordinary man! Metaphysics might for all time have
been a debtor to that vigorous, acute, and subtle intellect, at once so
speculative and logical, so inquisitive and discriminating. Æsthetic
criticism might have found in him a second Lessing, and literary
criticism a superior Sainte-Beuve. For, in addition to all that would
have enabled him to excel in abstract thought, he had--and in ample
measure--the qualities which make men consummate critics: rare power of
analysis, the nicest perception, sensibility, sympathy, good taste,
good sense, immense erudition. He might have contributed masterpieces to
Theology, to History, to Economic Science. But they know not his name.
He has set his seal on nothing but on English style. About a hundred and
fifty articles contributed to magazines and encyclopædias, some of them
of a high order of literary merit, many of them simply worthless, the
majority of them containing what is inferior so disproportionately in
excess of what is valuable that they may be likened to dustbins, with
jewels here and there glittering among the rubbish;--this is what
represents him. It is as a master of style, by virtue of what he
accomplished as a rhetorician and prose poet only, that he will live.
But this, comparatively scanty as it is, is of pre-eminent, of unique
value, and will suffice to secure him a place for ever among the
classics of English prose. He has also another claim, if not to our
reverence, at least to our curious attention and interest,--and that
attention and interest he can scarcely fail to excite in every
generation,--his autobiographical writings give us a picture, and that
with fascinating power, of one of the most extraordinary personalities
on record.
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