Ephemera Critica; Or, Plain Truths About Current Literature — John Shaqi
Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
If we go a little higher, things are almost as bad, if not quite so
ridiculous. In everything but in criticism it is necessary to
specialize. A man who posed as an authority on all the literatures of
the world, and on the history of every nation in the world, would be
very justly set down as an impostor. And yet pretentions which men would
be the first to ridicule, as private individuals, they do not scruple to
claim, as critics. An historical student enriches History with a volume
throwing new and important light on some obscure episode or period; a
classical student deserves the gratitude of scholars for an invaluable
monograph; English Literature or one of the Continental Literatures is
illustrated by a series of dissertations as instructive as they are
original; or a truly memorable contribution has been made to political
philosophy, to æsthetics, or to ethics. What is their fate? It is by no
means improbable that they will be ‘reviewed,’ in the course of a few
days, by the same man for three or four, or it may be for five or six,
daily and weekly journals, and their fortune in the market made or
marred by a censor who has probably done no more than glance at their
half-cut pages, and who, if he had studied them from end to end, would
have been no more competent to take their measure than he would have
been to write them. This leads, it is needless to say, to every kind of
abuse: to works which deserve to be authorities on the subjects of which
they treat dropping at once into oblivion, to works which every scholar
knows to be below contempt usurping their places; to the deprivation of
all stimulus to honourable exertion on the part of authors of ability
and industry; to the encouragement of charlatans and fribbles; to gross
impositions on the public. A very amusing and edifying record might be
compiled partly out of a selection of the various verdicts passed
contemporaneously by reviews on particular works, and partly out of
comparisons of the subsequent fortunes of works with their fortunes
while submitted to this censorship.
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