Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
The radical fault of those who regulate education in our Universities
and elsewhere, and prescribe our schoolbooks, is their deplorable want
of judgment. They seem to be utterly incapable of distinguishing between
what is proper for pure specialists and what is proper for ordinary
students. There is not a page in this edition which does not proclaim
aloud, that it could never have been intended for the purposes to which
it has been applied, that it is the work of technical scholars,
concerned only in textual and philological criticism and exegesis, and
appealing only to those who approach the study of Shakespeare in the
same spirit and from the same point of view. Anything more sickening and
depressing, anything more calculated to make the name of Shakespeare an
abomination to the youth of England it would be impossible for man to
devise. It is shameful to prescribe such books for study in our Schools
and Educational Institutes.
OUR LITERARY GUIDES
I. A SHORT HISTORY OF ENGLISH LITERATURE[11]
[Footnote 11: _A Short History of English Literature._ By George
Saintsbury, Professor of Rhetoric and English Literature in the
University of Edinburgh.]
This Short History is evidently designed for the use of serious readers,
for the ordinary reader who will naturally look to it for general
instruction and guidance in the study of English Literature, and to whom
it will serve as a book of reference; for students in schools and
colleges, to many of whom it will, in all likelihood, be prescribed as a
textbook; for teachers engaged in lecturing and in preparing pupils for
examination. Of all these readers there will not be one in a hundred who
will not be obliged to take its statements on trust, to assume that its
facts are correct, that its generalizations are sound, that its
criticisms and critical theories are at any rate not absurd. It need
hardly be said that, under these circumstances, a writer who had any
pretension to conscientiousness would do his utmost to avoid all such
errors as ordinary diligence could easily prevent, that he would guard
scrupulously against random assertions and reckless misstatements, that
he would, in other words, spare no pains to deserve the confidence
placed in him by those who are not qualified to check his statements or
question his dogmas, and who naturally suppose that the post which he
occupies is a sufficient guarantee of the soundness and accuracy of his
work. But so far from Professor Saintsbury having any sense of what is
due to his position and to his readers, he has imported into his work
the worst characteristics of irresponsible journalism: generalizations,
the sole supports of which are audacious assertions, and an indifference
to exactness and accuracy, as well with respect to important matters as
in trifles, so scandalous as to be almost incredible.
Public-domain text, read in full here on John Shaqi.
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