Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
But nothing is more effectual, for purposes of self-advertisement, than
a device which has lately been practised with signal success. This
consists of scraping up an acquaintance with some person, whose name is
not unknown to the public,--even a second-rate novelist will do--and
waiting till he dies. As there is a tide in the affairs of men, so, as
we all know, there is a moment at the demise of literary men when the
voracity of public curiosity knows neither distinction nor satiety. This
is the moment for the self-advertiser to nick; this is the time for him
to float, with his defunct friend, on the lips of men. He will find
readers for anything he may choose to print--that letter with its
exquisite compliments, that conversation in which his poor attainments
were so generously over-estimated, or the importance of his slight
literary services so much exaggerated. Of course, the value of such
advertisements will be in proportion to the eminence of the subject of
the reminiscences--and happy, thrice happy, those who were able to turn
men like Darwin, Tennyson, and Browning to this account; their
reputation may be regarded as made. But it is not always necessary to
wait till great men die, though it is an experiment too bold and
perilous for most aspirants to make this sort of capital out of them
while they are still alive. Still _audentes fortuna juvat_, and it has
been done. A certain minor poet published in an American magazine, not
many years ago, an article entitled “A Day with Lord Tennyson,” in which
he represented the Laureate as turning the conversation on his (the
minor bard’s) poetry. We are told how the great man, after fervently
reiterating a stanza of that minor bard which pleased him, requested his
son to take it down in writing; how that son, though the day was cold
and blowy, took it down; how Tennyson grasped, at parting, his brother
poet’s hand, and begged in transport that he would “come again and come
often.” He came, we believe, no more. But what of that? He had
accomplished a feat so simple and yet so original that it may fairly be
questioned whether what Mr. Burnum used to call his masterpiece was in
any way comparable to it. To interview a great man, even on an
assumption of equality, is, as we all know, a comparatively easy matter,
but to turn the conversation of the great man into a seasonable puff of
yourself requires a combination of qualities not often united in a
single person. The worst of feats like these is that they must have a
tendency to make great men a little shy of encouraging the acquaintance
of those to whom they can be so useful. But simplicity, as Thucydides
remarks, is one of the chief ingredients of greatness, and it is a
quality very difficult to wear out.
Public-domain text, read in full here on John Shaqi.
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