Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
_Garin le Loherain_ is a story with a similar plot,--the estrangement
and enmity of old friends, "sworn companions." Though no earlier than
_Raoul de Cambrai_, though belonging in date to the flourishing period
of romance, it is a story of the older heroic age, and its contents
are epic. Its heroes are unsophisticated, and the incidents,
sentiments, and motives are primitive and not of the romantic school.
The story is much superior to _Raoul de Cambrai_ in speed and
lightness; it does not drag at the critical moments; it has some
humour and some grace. Among other things, its gnomic passages
represent very fairly the dominant heroic ideas of courage and good
temper; it may be appealed to for the humanities of the _chansons de
geste_, expressed in a more fluent and less emphatic shape than
_Roland_. The characters are taken very lightly, but at least they are
not obtuse and awkward. If there is not much dramatic subtlety, there
is a recognition and appreciation of different aspects of the same
character. The story proceeds like an Icelandic Saga, through
different phases of a long family quarrel, springing from a
well-marked origin; foreshadowed and accompanied, as in many of the
Sagas, by the hereditary felonious character of the one party, which
yet is not blackened too much nor wholly unrelieved.
As in many of the Icelandic stories, there is a stronger dramatic
interest in the adversary, the wrong side, than in the heroes. As with
Kari and Flosi in _Njála_, as with Kjartan and Bolli in _Laxdæla_, and
with Sigmund and Thrond of Gata in _Færeyinga Saga_, so in the story
of Garin it is Fromont the enemy whose case is followed with most
attention, because it is less simple than that of the heroes, Garin of
Lorraine and Begon his brother. The character of Fromont shows the
true observation, as well as the inadequate and sketchy handling, of
the French epic school. Fromont is in the wrong; all the trouble
follows from his original misconduct, when he refused to stand by
Garin in a war of defence against the Moors:--
Iluec comence li grans borroflemens.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account