But Fromont's demeanour afterwards is not that of a traitor and a felon, such as his father was. He belongs to a felonious house; he is the son of Hardré, one of the notorious traitors of French epic tradition; but he is less than half-hearted in his own cause, always lamentable, perplexed, and peevish, always trying to be just, and always dragged further into iniquity by the mischief-makers among his friends. This idea of a distracted character is worked out as well as was possible for a poet of that school, in a passage of narrative which represents more than one of the good qualities of French epic poetry,--the story of the death of Begon, and the vengeance exacted for him by his brother Garin. This episode shows how the French poets could deal with matter like that of the Sagas. The story is well told, fluently and clearly; it contains some fine expressions of heroic sentiment, and a good fight, as well as the ineffectual sorrows and good intentions of the anti-hero Fromont, with all the usual tissue of violence which goes along with a feud in heroic narrative, when the feud is regarded as something impersonal and fatal, outside the wishes of the agents in it. It may be said here that although the story of Garin and of the feud between the house of Lorraine and their enemies is long drawn out and copious in details, it is not confused, but falls into a few definite episodes of warfare, with intervals of truce and apparent reconciliation. Of these separate acts in the tragedy, the _Death of Begon_ is the most complete in itself; the most varied, as well as the most compact. The previous action is for a modern taste too much occupied with the commonplaces of epic warfare, Homeric combats in the field, such as need the heroic motives of Maldon or Roncesvalles to make them interesting. In the story of the _Death of Begon_ there is a change of scene from the common epic battlefield; the incidents are not taken from the common stock of battle-poetry, and the Homeric supernumeraries are dismissed. This episode[73] begins after an interval in the feud, and tells how Begon one day thought of his brother Garin whom he had not seen for seven years and more (the business of the feud having been slack for so long), and how he set out for the East country to pay his brother a visit, with the chance of a big boar-hunt on the way. The opening passage is a very complete and lively selection from the experience and the sentiments of the heroic age; it represents the old heroic temper and the heroic standard of value, with, at the same time, a good deal of the gentler humanities. [Footnote 73: _Garin le Loherain_, ed. Paulin Paris (1833-35), vol. ii. pp. 217-272.]