Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
He did not answer for a moment. He asked instead a number of questions
about Boyde, listening closely to my account of him, which mentioned
the good with the bad. He went down to examine the packing-case and
returned with the report that my cheque-book was not there. I asked
him again what he made of it all, waiting with nervous anxiety for his
verdict, but again he put me off. He wanted to know when I last heard
from Kay. Eight days ago, I told him, from Toronto. He asked numerous
questions. He seemed as puzzled as I was.
“What do you think it means?” I begged. “What’s he been doing?”
“Are you _quite_ positive it’s not Kay’s writing,” he urged, “even, for
instance, if he was--” he hesitated--“a bit tight at the time?”
I clung to the faint hope. “Well, of course--I really couldn’t say.
I’ve never seen his writing when he was tight. I suppose----”
“Because if it isn’t,” interrupted Grant decisively, “it means that
Boyde has been getting money from him and using it for himself.”
I realized then that he was trying to make things less grave than they
really were, trying to make it easier for me in the best way he could.
The torn-up cheque proved his suggestion foolish.
“Do you think he’s an absolute scoundrel?” I asked point blank, unable
to bear the suspense any longer. “Really a criminal--is he?”
“I wanted to tell you the other day,” he said quickly. “Only you were
too ill. I thought it would upset you.”
“Criminal? Tell me at once. He may be in any minute. I must know.”
“His reputation is bad,” was the reply, “as bad as it could be. I’ve
heard things about him. He’s already been in gaol. He’s supposed to be
a bit dangerous.”
I was listening for the sound of a step on the stairs. I lowered my
voice a little. It was clear to me that Grant did not want to tell me
all he knew.
“So--what do you make, then, of this?” I asked in a half whisper,
pointing to the documents.
He looked at me hard a moment, then gave his reply, also in an
undertone:
“Practising--I think.”
I did not understand him. The uncertainty of his meaning, the queer
suggestion in the word he used, gave my imagination a horrid twist. I
asked again, my heart banging against my ribs:
“Practising--what?”
“He didn’t think it a successful--copy--so he tore it up,” Grant
explained.
“You mean--forgery?”
“I think so. That is--I’m afraid so.”
I think the universe changed for me in that moment; something I had
been standing on for years collapsed; I was left hanging in space
without a platform, without a rudder. An odd helplessness came over me.
Grant, of course, had only confirmed my own suspicions, had merely put
into words what, actually, I had known for a long time; but it was just
this hearing the verdict spoken by another that hurt so abominably.
Grant had quietly torn off me the last veil of self-deception. I could
no longer pretend to myself. It seems absurdly out of proportion now on
looking back; at the time the shock was appalling.
Public-domain text, read in full here on John Shaqi.
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