Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
“Artist Palmer” was self-taught. I forget the whole story, but he
had known his hard times. Looking at my dirty boots the first time I
called, he said: “When I drove a cab here, my boots were better cleaned
than any man’s on the rank.” I was not partial to Dr. Smiles’ “Self
Help.” A “shine” moreover, cost 5 cents, and 5 cents meant a glass of
beer and a meal at a free lunch counter--our invariable lunch at that
time.
Artist Palmer knew Boyde as a bad lot, and told me that Boyde was lying
about me behind my back everywhere, saying that he was supporting me,
paying for my illness, and while borrowing money in my name, explaining
that I spent all he gave me in dissipation! His method was to present a
forged cheque to some good-natured friend after banking hours, obtain
the money, and spend it on himself. A tale of woe, with crocodile
tears, saved him from subsequent arrest. No one ever prosecuted him.
All this I kept to myself, though I watched Boyde more and more
closely. I knew his studio appointments and made him hand over what
he earned. I did also an idiotic thing: I went down and warned the
pastor’s daughter about him. Palmer’s words and my own feeling
persuaded me to this fatal action. She was a beautiful girl. I received
from her the same kind of treatment that I had shown to the man who
first warned me. Boyde, of course, soon knew about it. We had a scene.
I saw for the first time anger in his face, black hatred too. He never
forgave me my stupid indiscretion.... The way he explained my action to
the girl herself was characteristic of him, but I only learned later
how he managed it. In a voluntary confession he wrote a few weeks
afterwards, a confession he judged might convince me he was genuinely
repentant, and at the same time save him from a grave impending fate,
he described it--honestly: “I told her,” he said, “she was to pay no
attention to your warnings, because you wanted me to marry one of your
sisters.”
The way I lost Boyde temporarily comes a little later in his story,
but may be told here because it marked the close of a definite little
chapter in his career with me.
It was the first week in December. I came home--from the doctor’s
house--at two in the morning. The gas was burning, but the room was not
too well lit by the single burner. Boyde lay asleep on the floor as
usual. I moved softly so as not to wake him. I glanced down. What I saw
startled me; more, it gave me a horrid turn. The figure on the mattress
was another man. It was not Boyde. Then, as I cautiously looked closer,
I discovered my mistake. It _was_ Boyde after all, but without his
moustache.
Public-domain text, read in full here on John Shaqi.
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