Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
I was first introduced to him by a burly Swede, with hands like
beef-steaks, and the shoulders of a heavy-weight fighter, who was
later arrested and sent to gaol for picking pockets. His notoriety
as a sneak-thief none of us had guessed, and how those bulky hands
could have accomplished anything neat and clever was a puzzle. In
the Scotsman’s pleasant quarters, somewhat outlandishly furnished by
himself on a top floor, the Swede had made himself at home too long.
Brodie, the prey of many who, invited for a day or two, stayed on for
weeks, was glad to see his back. His weak good-nature, refusing to turn
his guests out, was the cause of endless troubles with men who sponged
upon his kindness and his purse. This and his eau de Cologne business,
“me beezness” as he called it, were his sole topics of conversation. He
had money to spend--was it an allowance? We never knew--and was always
well dressed; many a square meal he stood me; there was something in
his soft West of Scotland voice that drew me to this odd fish in the
“perfumery line.” It reminded me of happier days. And I have described
his habits at some length, because it was owing to a small service I
rendered him, and rendered myself at the same time, that I became a
partner in “me beezness” of manufacturing and selling eau de Cologne
made from the Johann Maria Farina recipe.
Brodie’s social aspirations were very marked; to hear him talk one
would have thought him heir to a dukedom; he had, too, a curious
faculty for getting his name associated with people above him in the
social world. How he managed it was a problem I never solved. His
instinct for smelling out and using such folk was a gift from heaven.
To see his name in the paper gave him supreme happiness. Real “Society”
of course, Ward Macallister’s Four Hundred, lay beyond the reach of
what was actually a peasant type, but there were less select fields he
worked assiduously with great success. There was matter for a play,
a novel, a character study, at any rate, in Brodie, who himself, I
learned much later, had come out to New York as valet to Clyde Fitch,
the playwright, and whose recipe for the “genuine Johann Maria Farina,”
his successful “beezness,” was stolen property. My father’s son knew
certainly queer bedfellows in that underworld in New York City.
Public-domain text, read in full here on John Shaqi.
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