Epistle to a Friend Concerning Poetry (1700) and the Essay on Heroic Poetry (second edition, 1697)Wesley, Samuel
General
Epistle to a Friend Concerning Poetry (1700) and the Essay on Heroic Poetry (second edition, 1697)
Wesley, Samuel
Epic poetry; Poetry
Blackmore's _Prince Arthur_ and by Wesley's "heroics" (_Essay in
Defence of the Female Sex_, 1696, p. 50). And he was satirized as a
mare poetaster in Garth's _Dispensary_, in Swift's _The Battle of
the Books_, and in the earliest issues of the _Dunciad_. Nobody
today would care to defend his poetry for its esthetic merits.
For a few years in the early eighteenth century Wesley found himself in
the vortex of controversy. Brought up in the dissenting tradition, he had
swerved into conformity at some point during the 1680's, possibly under
the influence of Tillotson, whom he greatly admired (cf. _Epistle to a
Friend_, pp. 5-6). In 1702 there appeared his _Letter from a Country
Divine to his friend in London concerning the education of dissenters in
their private academies_, apparently written about 1693. This attack
upon dissenting academies was published at an unfortunate time, when the
public mind was inflamed by the intolerance of overzealous churchmen.
Wesley was furiously answered; he replied in _A Defence of a Letter_
(1704), and again in _A Reply to Mr. Palmer's Vindication_ (1707). It
is scarcely to Wesley's credit that in this quarrel he stood shoulder to
shoulder with that most hot-headed of all contemporary bigots, Henry
Sacheverell. His prominence in the controversy earned him the ironic
compliments of Defoe, who recalled that our "Mighty Champion of this very
High-Church Cause" had once written a poem to satirize frenzied Tories
(_Review_, II, no. 87, Sept. 22, 1705). About a week later Defoe,
having got wind of a collection being taken up for Wesley--who in
consequence of a series of misfortunes was badly in debt--intimated that
High-Church pamphleteering had turned out very profitably for both Lesley
and Wesley (Oct. 2, 1705). But in such snarling and bickering Wesley was
out of his element, and he seems to have avoided future quarrels.
His literary criticism is small in bulk. But though it is neither
brilliant nor well written (Wesley apparently composed at a break-neck
clip), it is not without interest. Pope observed in 1730 that he was a
"learned" man (letter to Swift, in _Works_, ed. Elwin-Courthope, VII,
184). The observation was correct, but it should be added that Wesley
matured at the end of an age famous for its great learning, an age whose
most distinguished poet was so much the scholar that he appeared more the
pedant than the gentleman to critics of the succeeding era; Wesley was not
singular for erudition among his seventeenth-century contemporaries.
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