Epistle to a Friend Concerning Poetry (1700) and the Essay on Heroic Poetry (second edition, 1697) — John Shaqi
Epistle to a Friend Concerning Poetry (1700) and the Essay on Heroic Poetry (second edition, 1697)Wesley, Samuel
General
Epistle to a Friend Concerning Poetry (1700) and the Essay on Heroic Poetry (second edition, 1697)
Wesley, Samuel
Epic poetry; Poetry
a good Saint out of a very indifferent Devil. So far, I say, Balzac is
undoubtedly in the right, that Christianity and Heathenism ought not to be
confounded, nor the Pagan Gods mention'd, but as such, in Christian Poems.
Of which Boileau also says, "They should not be Fill'd with the Fictions
of Idolatry;" tho' he tells us just before,
In vain have our mistaken Authors try'd
Those ancient Ornaments to lay aside.
As tho' he were afraid lest all Poets shou'd be forc'd to turn Christians,
and yet in the next Lines he thinks it full as bad,
To fright the Reader in each Line with Hell,
And talk of Satan, Ashtaroth and Bel.
As tho' he'd have no Christian to be a Poet. And much at the same rate is
Monsieur Balzac very angry with Buchanan, for the same reason; nor will he
by any means let us substitute Belzebub, Asmodeus, and Leviathan, in the
room of Alecto, Tisiphone, and Megaera, which is, in his Opinion, perfect
Pedantry and Affectation; and is extreamly afraid, lest any of those
Barbarous Hebrew Words should disfigure the purity of the Latin Tongue;
when surely he cou'd not but know, that this pure Latin Tongue it self,
for which he's so much concerned, is nothing but the gradual Corruption or
Barbarizing of the Greek; as that of the Phonician and Hebrew before; and
the Italian, and his own French too, from the Latin afterwards, by the
adulterous mixture of 'tis hard to say how many Languages: So that between
'em, they'd make it impossible for a Christian Poet to write a good Heroic
Poem, or even a Tragedy, on any, but profane Subjects; by taking away all
the Machines, and therein whatever is admirable. No, says Balzac, instead
of those hard Words and proper Names, Appellatives may be chosen, Words
common to all People: As for example, Ill luck instead of the Fates, and
the Foul Fiend for Lucifer; and whether this wou'd not sound extreamly
Heroical, I leave any Man to judge: It being besides certain, that 'tis
singulars and particulars which give an Air of Probability, and the main
Life and Beauty to a Poem, especially of this Nature; without which it
must of necessity sink and languish. However so much of Truth, I must
confess, there is in what he says, that I verily believe Magor-missabib,
or Mahershal-alhashbaz, wou'd scarce yoke decently in one of our
Pentameters, but be near as unquiet and troublesome there, as a Mount
Orgueil it self. Nor can partiality so far blind my Judgment as not to be
my self almost frighted at second hearing of such a thundering Verse, as
Belsamen Ashtaroth Baaltii Ba'al: Which seems as flat Conjuration, as
Zinguebar, Oran, &c. tho' 'tis now too late to amend it. But then there
are other Words or a more soft and treatable Cadence, even in the same
Hebrew Language, especially when mollified by a Latin or Greek form, or
Termination; and such as these one may make use of and let others alone:
though neither is our bolder rougher Tongue so much affrighted at them, as
the French and Latin.
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