appeared in 1535, and to which the authorized version of the seventeenth century owes all that one work of genius can owe to another. It is not with these great men that the translator of this treatise can be compared. But he wrought, after his measure, on the same structure as they. It is then to the original Latin, not to this rude and stammering version, that scholars must turn now, as still more certainly they turned then, for the mind of Erasmus; for with him, even more eminently than with other authors, the style is the man, and his Latin is the substance, not merely the dress, of his thought. When he wrote it he was about forty-eight years of age. He was still in the fullness of his power. If he was often crippled by delicate health, that was no more than he had habitually been from boyhood. In this treatise we come very near the real man, with his strange mixture of liberalism and orthodoxy, of clear-sighted courage and a delicacy which nearly always might be mistaken for timidity. His text is that (in the translator's words) "nothing is either more wicked or more wretched, nothing doth worse become a man (I will not say a Christian man) than war." War was shocking to Erasmus alike on every side of his remarkably complex and sensitive nature. It was impious; it was inhuman; it was ugly; it was in every sense of the word barbarous, to one who before all things and in the full sense of the word was civilized and a lover of civilization. All these varied aspects of the case, seen by others singly and partially, were to him facets of one truth, rays of one light. His argument circles and flickers among them, hardly pausing to enforce one before passing insensibly to another. In the splendid vindication of the nature of man with which the treatise opens, the tone is rather that of Cicero than of the New Testament. The majesty of man resides above all in his capacity to "behold the very pure strength and nature of things;" in essence he is no fallen and corrupt creature, but a piece of workmanship such as Shakespeare describes him through the mouth of Hamlet. He was shaped to this heroic mould "by Nature, or rather god," so the Tudor translation reads, and the use of capital letters, though only a freak of the printer, brings out with a singular suggestiveness the latent pantheism which underlies the thought of all the humanists. To this wonderful creature strife and warfare are naturally repugnant. Not only is his frame "weak and tender," but he is "born to love and amity." His chief end, the object to which all his highest and most distinctively human powers are directed, is cooperant labour in the pursuit of knowledge. War comes out of ignorance, and into ignorance it leads; of war comes contempt of virtue and of godly living. In the age of Machiavelli the word "virtue" had a double and sinister meaning; but here it is taken in its nobler sense. Yet, the argument continues, for "virtue," even in the Florentine