Eris listened, unaware that he was poking fun at himself. Her shadowy
eyes were intent on his in the starlight. The white, sharp contours of
her face interested him. He was alert for any word or tone or gesture
done for dramatic effect.
“So that’s your story, then,” he said in his gay, agreeable voice. “You
are a little pilgrim of Minerva in quest of Wisdom, travelling afoot
through the world with an empty wallet and no staff to comfort you.”
“I understand what you mean,” she said. “Minerva was goddess of Wisdom.
We had mythology in high-school.”
He thought: “She’s a clever comedienne or an utter baby.” He said: “Is
that really all there is to your story?”
“I have no story.”
“No ill-treatment at home to warrant your running away?”
“Oh, no.”
“Not even an unhappy love affair?”
She shook her head slightly as though embarrassed.
“How old are you?”
“Twenty in April.”
Annan was silent. He had not supposed her to be over seventeen. She
had seemed little more than a child in the starlight when she sat up
ruffling her bobbed hair in the first tepid breeze.
She said seriously: “I am growing old. And if I have talent I have no
time to waste. That is why I went away at the first opportunity.”
“What are your talents?”
“I dance. I have acted in school plays. Once I wrote a one-act piece
for myself. They liked it.”
“Go ahead and tell me about it.”
She told him how she had written the act and how she had sung and
danced. Stimulated by the memory of her little success, she ventured
to speak of her connection with the Crystal Films. Then, suddenly, the
long-pent flood of trouble poured out of her lonely heart.
“I drove over to Summit,” she said, “where they had been shooting an
exterior. Mr. Quiss introduced me to Mr. Donnell, the director. Mr.
Donnell said that they were just leaving for Albany on location, and he
couldn’t give me a test. So I went to Albany the next morning--I just
packed my night-clothes and walked all the way to Gayfield to catch the
six o’clock morning train. It was my first chance. I seemed to realise
that. I took fifty dollars I had saved. I have spent thirty of it
already.
“At Albany Mr. Donnell had a test made of me. It turned out well. He
offered me a contract. I telephoned to my stepmother and told her what
I had done. I explained that I needed money.... I have some money of my
own. But my father wouldn’t let me have it. I wrote several times, but
they only told me to come home. They wouldn’t let me have any money.
“Then, when the company arrived at the New York studio, Mr. Donnell
seemed to be in trouble. We were not paid. I heard Mr. Quiss say that
the principals had received no salary for a month. He said that Mr.
Donnell had not been paid, either. The carpenters who were building
sets refused to go on until they had their wages. Somebody cut off the
electric current. Our dynamo stopped. We stood around all day. Somebody
said that the bankers who owned the Crystal Films were in financial
difficulties.
Public-domain text, read in full here on John Shaqi.
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