“I’m not trying to. When you see her and talk to her you’ll agree with
me that she is as virtuous as she is beautiful. Of course,” he added,
“virtue without beauty is unknown in polite fiction, and is to be
severely discouraged.”
“You’re the master,” snapped Mrs. Sniffen. “I know my place. I ’ope
others will know theirs--particularly minxes----”
“Now, Xantippe, don’t freeze the child stiff. I’m very sure she isn’t a
minx----”
Mrs. Sniffen coldly laid down the law of suspects:
“_I’ll_ know what she is when I see her.... There’s minxes and there’s
’ussies; and there’s sluts and scuts. And there’s them that walk in
silk and them that wear h’aprons. And there’s them that would rather
die where they lie than take bed and bread of a strange young gentleman
who follows ’is fancy for a lark on a ’ot night in the Park. ’Ussies
are ’ussies. And I’m not to be deceived at my time o’ life.”
Annan chipped an egg, undisturbed. “I know you, Xantippe,” he remarked.
“You may not like some of the people who come here, but you’ll be nice
to this girl.... Take her breakfast to her at ten-thirty; look her
over; come in and report to me.”
“Very well, sir.”
Annan went on with his breakfast, leisurely. As he ate he read over his
pencilled manuscript and corrected it between bites of muffin and bacon.
It was laid out on the lines of those modern short stories which had
proven so popular and which had lifted Barry Annan out of the uniform
ranks of the unidentified and given him an individual and approving
audience for whatever he chose to offer them.
Already there had been lively competition among periodical publishers
for the work of this new-comer.
His first volume of short stories was now in preparation. Repetition
had stencilled his name and his photograph upon the public cerebrum.
Success had not yet enraged the less successful in the literary puddle.
The frogs chanted politely in praise of their own comrade.
The maiden, too, who sips the literary soup that seeps through the
pages of periodical publications, was already requesting his autograph.
Clipping agencies began to pursue him; film companies wasted his time
with glittering offers that never materialised. Annan was on the way to
premature fame and fortune. And to the aftermath that follows for all
who win too easily and too soon.
There is a King Stork for all puddles. His law is the law of
compensations. Dame Nature executes it--alike on species that swarm and
on individuals that ripen too quickly.
Annan wrote very fast. There were about thirty-five hundred words in
the story of Eris. He finished it by half-past ten.
Public-domain text, read in full here on John Shaqi.
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