Ernest Maltravers — Volume 03Lytton, Edward Bulwer Lytton, Baron
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Ernest Maltravers — Volume 03
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
"You forestall what I was going to ask," said the ex-singer; and
Maltravers offered the guitar to Tirabaloschi, who was in fact dying to
exhibit his powers again. He took the instrument with a slight grimace
of modesty, and then saying to Madame de Montaigne, "There is a song
composed by a young friend of mine, which is much admired by the ladies;
though to me it seems a little too sentimental," sang the following
stanzas (as good singers are wont to do) with as much feeling as if he
could understand them!
NIGHT AND LOVE.
When stars are in the quiet skies,
Then most I pine for thee;
Bend on me, then, thy tender eyes!
As stars look on the sea!
For thoughts, like waves that glide by night,
Are stillest where they shine;
Mine earthly love lies hushed in light
Beneath the heaven of thine.
There is an hour when angels keep
Familiar watch on men;
When coarser souls are wrapt in sleep,--
Sweet spirit, meet me then.
There is an hour when holy dreams
Through slumber fairest glide;
And in that mystic hour it seems
Thou shouldst be by my side.
The thoughts of thee too sacred are
For daylight's common beam;--
I can but know thee as my star,
My angel, and my dream!
And now, the example set, and the praises of the fair hostess exciting
general emulation, the guitar circled from hand to hand, and each of the
Italians performed his part; you might have fancied yourself at one of
the old Greek feasts, with the lyre and the myrtle-branch going the
round.
But both the Italians and the Englishman felt the entertainment would be
incomplete without hearing the celebrated vocalist and improvvisatrice
who presided over the little banquet; and Madame de Montaigne, with a
woman's tact, divined the general wish, and anticipated the request that
was sure to be made. She took the guitar from the last singer, and
turning to Maltravers, said, "You have heard, of course, some of our
more eminent improvvisatori, and therefore if I ask you for a subject it
will only be to prove to you that the talent is not general amongst the
Italians."
"Ah," said Maltravers, "I have heard, indeed, some ugly old gentlemen
with immense whiskers, and gestures of the most alarming ferocity, pour
out their vehement impromptus; but I have never yet listened to a young
and a handsome lady. I shall only believe the inspiration when I hear
it direct from the Muse."
"Well, I will do my best to deserve your compliments--you must give me
the theme."
Maltravers paused a moment, and suggested the Influence of Praise on
Genius.
The improvvisatrice nodded assent, and after a short prelude broke forth
into a wild and varied strain of verse, in a voice so exquisitely sweet,
with a taste so accurate, and a feeling so deep that the poetry sounded
to the enchanted listeners like the language that Armida might have
uttered. Yet the verses themselves, like all extemporaneous effusions,
were of a nature both to pass from the memory and to defy transcription.
Public-domain text, read in full here on John Shaqi.
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