Ernest Maltravers — Volume 09Lytton, Edward Bulwer Lytton, Baron
General
Ernest Maltravers — Volume 09
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Maltravers entered and quietly sat down. The room was full of its daily
loungers; but he did not shrink from, he did not even heed, the crowd.
He felt not the desire of solitude--there was solitude enough within
him. Several distinguished public men were there, grouped around the
fire, and many of the hangers-on and satellites of political life; they
were talking with eagerness and animation, for it was a season of great
party conflict. Strange as it may seem, though Maltravers was then
scarcely sensible of their conversation, it all came back vividly and
faithfully on him afterwards, in the first hours of reflection on his
own future plans, and served to deepen and consolidate his disgust of
the world. They were discussing the character of a great statesman
whom, warmed but by the loftiest and purest motives, they were unable to
understand. Their gross suspicions, their coarse jealousies, their
calculations of patriotism by place, all that strips the varnish from
the face of that fair harlot--Political Ambition--sank like caustic into
his spirit. A gentleman seeing him sit silent, with his hat over his
moody brows, civilly extended to him the paper he was reading.
"It is the second edition; you will find the last French express."
"Thank yon," said Maltravers; and the civil man started as he heard the
brief answer; there was something so inexpressibly prostrate and
broken-spirited in the voice that uttered it.
Maltravers's eyes fell mechanically on the columns, and caught his own
name. That work which, in the fair retirement of Temple Grove it had so
pleased him to compose--in every page and every thought of which
Florence had been consulted--which was so inseparably associated with
her image, and glorified by the light of her kindred genius--was just
published. It had been completed long since; but the publisher had, for
some excellent reason of the craft, hitherto delayed its appearance.
Maltravers knew nothing of its publication; he had meant, after his
return to town, to have sent to forbid its appearance; but his thoughts
of late had crushed everything else out of his memory--he had forgotten
its existence. And now, in all the pomp and parade of authorship, it
was sent into the world! /Now/, /now/, when it was like an indecent
mockery of the Bed of Death--a sacrilege, an impiety! There is a
terrible disconnection between the author and the man---the author's
life and the man's life--the eras of visible triumph may be those of the
most intolerable, though unrevealed and unconjectured anguish. The book
that delighted us to compose may first appear in the hour when all
things under the sun are joyless. This had been Ernest Maltravers's
most favoured work. It had been conceived in a happy hour of great
ambition--it had been executed with that desire of truth, which, in the
mind of genius, becomes ART. How little in the solitary hours stolen
from sleep had he thought of self, and that labourer's hire called
Public-domain text, read in full here on John Shaqi.
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