Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
All this bears such striking similarity to the traditions preserved
among the most ancient nations in the eastern part of the world, that
we cannot conceive the possibility of its having been invented in any
period of the dark ages; it therefore strengthens our confidence in
the general teaching of the Triads. In early Britain there were only
two classes of British citizens, “the nobles and the villains,” (_i.
e._, villagers). All below these were slaves. The people possessed
a considerable knowledge of astronomy, of geometry and of mechanics.
They were an eloquent people; an ancient historian says that their
orators “sometimes step between two hostile armies, who are standing
with swords drawn, and spears extended, ready to fight; and, by their
eloquence, as by an irresistible enchantment, they prevent a shedding
of blood.”
The Britons were also acquainted with the useful arts. The houses in
which they dwelt, their chariots of war, as well as a great variety
of other works, prove this beyond the possibility of doubt. We notice
the chariots: “Their cars were admired by the Romans, adopted by
individuals for their journeys, and introduced by the public into
their races. And we have a picture of one of them, sketched by a
British hand, and engraven on a coin. There we see the charioteer
mounted on his carriage before us, a quiver of arrows peeping over
his left shoulder, and a spear protended from his left hand, his feet
resting upon the pole or foot-board annexed to it, and his body
leaning over the horses, in the act of accelerating their motion. And
we have the description of another in Ossian, very similar in one or
two particulars, and more circumstantial. It is the car of a British
monarch, bending behind, drawn by a pair of horses, and embossed
with sparkling stones. Its beam is of polished yew, its seat of the
smoothest bone, and the sides of it are replenished with spears.
Persons who could construct such vehicles, build houses and make
furniture, as well as all the various offensive and defensive weapons
of war, must have had no inconsiderable mechanical knowledge and skill.”
THE DRUIDS. WONDERFUL RESEMBLANCE.
Public-domain text, read in full here on John Shaqi.
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