Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
The Sikhs are very fanatical, and they do not receive visitors with
any expressions of friendliness. The city of Umritsur has no celebrity
apart from this temple. The sect of the Sikhs originated about the
middle of the fifteenth century, and now numbers about 5,000,000.
[Illustration: APPROACH TO THE TEMPLE OF UMRITSUR.]
CAVE-TEMPLES OF ELEPHANTA AND GWALIOR.
In the harbor of Bombay is an island containing a celebrated
cave-temple. Hundreds of years ago the Hindus excavated this temple
from the solid rock; pillars, idols and chapels are all cut from
the one great mass of stone. For three hundred years past there has
been little worship here. The temple was devoted to the worship of
Siva. After ascending a flight of several hundred steps we stand
before the great square gate-ways. Immense columns ranging away in the
darkness support the roof of solid rock. On the walls are sculptured
the fantastic forms of Brahma, Vishnu and Siva. The metamorphoses of
these are also shown in sculpture. The cave is shaped like a cross. At
the end of the main passage-way, opposite the principal gate-way, is
an altar supporting a gigantic, three-headed idol. The central face
is calm and benevolent, the forehead is covered with a lofty diadem,
like a mitre, covered with delicate carvings representing necklaces.
The face on the right expresses terrible rage; its mitre is covered
with sculptured skulls and serpents, and its outstretched hand holds
a cobra. The other face is smiling and the hand holds a flower. The
triple idol represents Siva as the passive god, the destroying god and
the saving god. The sculptures are much worn away, but enough remains
to indicate the wondrous majesty and beauty of the Elephanta Cave.
[Illustration: GREAT IDOL OF THE CAVE OF MANDAR. INDIA.]
[Illustration: CAVE OF ELEPHANTA.]
[Illustration: THE WONDERFULLY EXCAVATED TEMPLE-CAVE OF
ELEPHANTA, BOMBAY, INDIA.]
Public-domain text, read in full here on John Shaqi.
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