Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
6¼ feet, and 5 feet respectively. At the time of sacrificing, the
tablets to Heaven and to the Emperor’s ancestors are placed on the top;
they are two feet five inches long and five inches wide. The title
is in gilt letters; that of Heaven faces the south, and those of the
ancestors east and west. The Emperor, with his immediate suite, kneels
in front of the tablet to Shang-te, and faces the north. The platform
is laid with marble stones, forming nine concentric circles. The inner
circle consists of nine stones, cut so as to fit with close edges
round the central stone, which is a perfect circle. Here the Emperor
kneels, and is surrounded first by the circles of the terraces and
their inclosing walls, and then by the circle of the horizon. He thus
seems to himself and his court to be in the centre of the universe;
and, turning to the north, assuming the attitude of a subject, he
acknowledges in prayer and by his position that he is inferior to
Heaven, and to Heaven alone. Round him, on the pavement, are the nine
circles of as many heavens, consisting of nine stones, then eighteen,
then twenty-seven, and so on in successive multiples of nine till the
square of nine, the favorite number of Chinese philosophy, is reached
in the outermost circle of eighty-one stones. As might be expected,
careful distinctions are made in the sacrifices. The animals ordinarily
used for food by the ancient Chinese, and the fruits of the earth known
to them, are almost all included. But productions recently introduced
into the country are not offered. To Heaven alone is offered a piece
of blue jade, cylindrical in shape and a foot long, formerly used as a
symbol of sovereignty. But the great distinguishing sign of superiority
is the offering of a whole burnt sacrifice to Heaven.
[Illustration: THE SACRED ALTAR OF HEAVEN, AT PEKING.]
After the same style of building, and used as a part of the worship of
Heaven and earth, is the Temple of the Sun, at Peking. This temple
has been dedicated by the Chinese to the sun as the great source of
light and heat, and it has been put under the protection of the god of
fire. Farmers frequent this temple in dull, cold weather, to pray for
the sunshine to ripen their grain and fruit, and the people generally
pray to this god for protection against fire. The fourth day of every
month is a high day at this temple, and it is then crowded with
worshipers. On this day, a band of music is provided, and, in addition
to the ordinary priests of the temple, extra priests go about swinging
incense, and conducting many other imposing services.
In the spring of every year, the Chinese pay great honors to
agriculture. The Emperor proceeds to the park surrounding the Temple
of Agriculture, at Peking, and in a plot of ground reserved for the
purpose, and in the presence of the grandees of the empire, he guides
the imperial plow, and uses the seed-planter, rake, etc.
Public-domain text, read in full here on John Shaqi.
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