Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
On a Chinese youth entering a school as pupil for the first time in any
year, he is expected to bring with him two small candles, a few sticks
of incense, and a small quantity of mock-money, which are to be lighted
and consumed before a slip of paper, having some title of Confucius
written upon it, the pupil making the usual prostration before it after
these things have been lighted and while they are being consumed. This
is called “entering school,” or “worshiping the sage.” One morning,
some six years ago, a lad, dressed in his best clothes, marched into
a free-school under the charge of a missionary, carrying, beside his
books, three sticks of incense, two small candles, and a few sheets
of mock-money, designed, in accordance with established usage, as an
offering to the Chinese sage. It seemed that the teacher had neglected
to inform his parents that in the mission school the sage was not
worshiped. The lad was quietly told that the articles he had brought
would not be used, inasmuch as those who studied the books of Jesus did
not burn incense in honor of Confucius. Thus from earliest childhood
the youth of China are taught to reverence their great countryman,
Confucius.
THE WORSHIP OF SHANG-TE, AT PEKING.
Notwithstanding the silence of Confucius on the subject of Shang-te,
his worship has been maintained, not, perhaps, in its original purity,
but with marks of reverence which place its object on the highest
pinnacle of the Chinese Pantheon. At the present day, the imperial
worship of Shang-te, on the round hillock to the south of the city of
Peking, is surrounded with all the solemnity of which such an occasion
is capable. The altar is a beautiful marble structure, ascended by
twenty-seven steps: a balustrade surrounds each terrace. On the upper
of these three terraces are five tables or altars, on which the
offerings to Shang-te are laid. This is the central point of attraction
in this whole inclosure of a square mile, which contains thousands of
beautiful trees and many subordinate buildings. On another terrace
stands a magnificent triple-roofed circular structure, ninety-nine feet
in height, which constitutes the most conspicuous object of the whole.
On the day before the annual sacrifices at the Winter Solstice, the
Emperor proceeds to the Hall of Fasting, on the west side of the south
altar. Here he spends the night in watching and meditation, after first
inspecting the offerings. The tablets to the Supreme Ruler of Heaven
(_i.e._, Shang-te,) and to the Emperor’s ancestors are preserved
in the chapel at the back of each altar. There are no images. Both
these chapels are circular, and covered with blue glazed tiles. The
south altar, the most important of all Chinese religious structures,
has the following dimensions. It consists of a triple circular terrace,
210 feet wide at the base, 150 in the middle, and 90 at the top. The
heights of the three terraces, upper, middle and lower, are 5½ feet,
Public-domain text, read in full here on John Shaqi.
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