Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
The tablets of the family are arranged on a table standing in the
back part of the reception-room, or in a shrine placed on the table.
Incense and candles, arranged, according to custom, near the tablets,
having been lighted, the bridegroom and his bride kneel down three
or four times before the tablets, the wife being on the right-hand
side of her husband. While on their knees, at each kneeling, they bow
their heads down toward the ground once. On rising to their feet they
change places, and then kneel down three or four times again, and
bow their heads as before in front of and toward the tablets. They
now arise, and two chairs are placed before the table which contains
the incense, candles and tablets. If the paternal grandparents of the
groom are living and present, they take their seats in the chairs, the
grandmother being on the right hand of the grandfather, with their
faces turned away from the table or toward the front part of the room.
In case either has deceased, the tablet which represents that person
is placed in the chair which he or she would have occupied if living.
The bridegroom and bride advance, and kneel down three or four times
before them, bowing their heads toward the ground as in worshiping
the tablets. They then arise, and, having changed positions, kneel
down and bow again three or four times. The parents of the groom then
take their seats in the chairs, and the ceremony of kneeling and
bowing is repeated, in like manner, the customary number of times.
While the bride is on her knees, her new mother usually arranges some
costly ornaments in her hair, as gold or pearls, or gives her some
valuable finger-rings, if able to afford the expense of such; or, if
poor, she presents her with such head ornaments as she can afford. The
women who assist the bride in performing these ceremonies improve
the opportunity to offer tea to her parents at this period, and are
rewarded for their attentions with a present of money on the spot. In
case either parent is dead, the ancestral tablet for that person is
placed in the chair, as in the supposed case of one of the grandparents
having deceased. The paternal and maternal uncles and aunts of the
groom, if present, in the order of their seniority, now take their
turns of being worshiped by the couple. Oftentimes, these relatives
will not sit, but content themselves to stand during the worship
rendered them. Standing, on these occasions and during the reception of
these honors, is regarded as a mark of humility.
[Illustration: CHINESE MARRIAGE PROCESSION.]
[Illustration: WORSHIP OF ANCESTORS AT A WEDDING.]
MOTHER, GODDESS OF CHILDREN.
Public-domain text, read in full here on John Shaqi.
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