Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
Passing to the other side of the Pacific Ocean, we find among the
Mexicans and the Americans traditions of the same character as the
above. These agree so precisely that they cannot be a myth, a mere
invention, but must of necessity, be the recollection of a real,
terrible event, indelibly impressed on the memories of their ancestors,
and faithfully handed down. That it has never been forgotten, nor its
important points altered, even though the dress of the story has been
changed, is an evidence of the awful impression which this judgment of
God left upon the nations descending from the survivors.
The Mexican traditions were first taken down as they were told to the
Dominican missionaries. Travelers have compared their accounts with the
hieroglyphics on ancient Mexican monuments and found them to agree.
THE MEXICAN LEGEND.
“Of the different nations that inhabit Mexico,” says A. von Humboldt,
“the following had paintings resembling the deluge of Coxcox, namely,
the Aztecs, the Mixtecs, the Zapotecs, the Tlascaltecs and the
Mechoacans. The Noah, Xisuthras, or Manu of these nations, is termed
Coxcox, Teo Cipactli, or Tezpi. He saved himself with his wife,
Xochiquetzatl, in a bark, or, according to other traditions, on a raft.
The painting represents Coxcox in the midst of the water waiting for
a bark. The mountain, the summit of which arises above the waters,
is the peak of Colhuacan, the Ararat of the Mexicans. At the foot of
the mountain are the heads of Coxcox and his wife. The latter is known
by two tresses in the form of horns, denoting the female sex. The
men born after the deluge were dumb: the dove from the top of a tree
distributed among them tongues, represented under the form of small
commas.” Of the Mechoacan tradition he writes, “that Coxcox, whom they
called Tezpi, embarked in a spacious _acalli_ with his wife, his
children, several animals and some grain. When the Great Spirit ordered
the waters to withdraw, Tezpi sent out from his bark a vulture, the
zopilote, or _vultur aura_. This bird did not return on account
of the carcasses with which the earth was strewn. Tezpi sent out other
birds, one of which, the humming-bird, alone returned, holding in
its beak a branch clad with leaves. Tezpi, seeing that fresh verdure
covered the soil, quitted his bark near the mountain of Colhuacan.”
The Peruvians also have legends of the deluge as have many of the
Polynesian islanders.
THE FIJI ISLANDERS’ TRADITION.
Public-domain text, read in full here on John Shaqi.
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