Essay on the Creative ImaginationRibot, Th. (Théodule)
Science
Essay on the Creative Imagination
Ribot, Th. (Théodule)
Creation (Literary, artistic, etc.); Imagination
"I may add here, _by association_ of ideas. The doctor had seen through
me, and had with fine insight perceived _why_ I had _heard_ the end of
the psalm. The incident made a great impression on me, all the more as
ever since the age of eight my memory testifies to a like hallucination,
but of sight in place of hearing. It was at L...... that on Good Friday
they rang at the cathedral with all their might. It was the very moment
before the bells remain silent for three days, and it is known that this
silence, ordained in the liturgy, is explained to children by telling
them that during these two days the bells have flown to Rome. Naturally
I was treated to this little tale, and as they finished telling it, I
_saw_ a bell flying at an angle that I could still describe.
"But this transforming power of my imagination is not present in me to
the same extent as regards all things. It is much more operative in
relation to Romano-Gothic architecture, mystic literature, and
sociological knowledge than in relation, for instance, to my memories of
travels. When I see again, in the mind's eye, the Isle of Bourbon,
Niagara, Tahiti, Calcutta, Melbourne, the Pyramids and the Sphinx, the
graphic representation is intellectually perfect. The objects live again
in all their external surroundings. I feel the _Khamsinn_, the desert
wind that scorched me at the foot of Pompey's Column; I hear the sea
breaking into foam on the barrier reef of Tahiti. But the image does not
lead to evocation of related or parallel ideas.
"When, on the other hand, I take a walk over the Comburg moor, the
castle weighs upon me in all its massiveness; the recollections of the
_Memoires d'Outre-tombe_ besiege me like living pictures. I see, like
Chateaubriand himself, the family of great famished lords in their
feudal castle. With Chateaubriand I return in the twinkling of an eye to
the Niagara that we have both seen. In the fall of the waters I find the
deep and melancholy note that he himself found; and after that I think
of that dark cathedral of Dol that evidently suggested to the author his
_Genie du Christianisme_.
"In literature, things are very unequally suggestive to me. Classic
literature has only few paths outwards for me--Tacitus, Lucretius,
Juvenal, Homer, and Saint-Simon excepted. I read the other authors of
this class partly for themselves, without making a comparison. On the
other hand, the reading of Dante, Shakespeare, St. Jerome's compact
verses on the Hebrew, and Middle Age prose excites within me a whole
world of ideas, like Wagner's music, _canto-fermo_, and Beethoven.
Certain things form a link for me from one order of ideas to another.
For example, Michaelangelo and the Bible, Rembrandt and Balzac, Puvis de
Chavannes and the Merovingian narratives.
Public-domain text, read in full here on John Shaqi.
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