Essay on the Creative ImaginationRibot, Th. (Théodule)
Science
Essay on the Creative Imagination
Ribot, Th. (Théodule)
Creation (Literary, artistic, etc.); Imagination
[56] _Op. cit._, pp. 23-24.
[57] Lang, _op. cit._, I, 162, and _passim_.
[58] Max Mueller, _op cit._, p. 12.
[59] _Nouveaux Essais_, p. 320.
[60] See Lang, _Myth, Ritual and Religion_, I, p. 234, a passage
from the _Rig-Veda_, with four very different translations by Max
Mueller, Wilson, Benfrey, and Langlois.
[61] On curiosity as the beginning of knowledge, compare the
position held by Plato. (Tr.)
[62] On this general subject consult the interesting though somewhat
general article by Professor John Dewey, "The Interpretation of the
Savage Mind," in the _Psychological Review_, May, 1903. The author
justly criticises the current description of savages in negative
terms, and contends that there is general misunderstanding of the
true nature of the savage and of his activities. (Tr.)
[63] It is now well accepted that Thales cannot be regarded as
propounding a materialistic theory when he declares that everything
is derived from water; for with him, "water" stands not merely for
the substance that we call chemically "H2O," but for the "spirit
that is in water" as well--the water-spirit is the _Grundprincip_.
(Tr.)
[64] Max Mueller, _op. cit._, 39, 47-48, 59-60.
CHAPTER IV
THE HIGHER FORMS OF INVENTION
We now pass from primitive to civilized man, from collective to
individual creation, the characters of which it remains for us to study
as we find them in great inventors who exhibit them on a large scale.
Fortunately, we may dismiss the treatment of the oft-discussed,
never-solved problem of the psychological nature of genius. As we have
already noted, there enter into its composition factors other than the
creative imagination, although the latter is not the least among them.
Besides, great men being exceptions, anomalies, or as the current
expression has it, "spontaneous variations," we may ask _in limine_
whether their psychology is explicable by means of simple formulae, as
with the average man, or whether even monographs teach us no more
concerning their nature than general theories that are never applicable
to all cases. Taking genius, then, as synonymous with great inventor,
accepting it _de facto_ historically and psychologically, our task is
limited to the attempt to separate characters that seem, from
observation and experiment, to belong to it as peculiarly its own.
Putting aside vague dissertations and dithyrambics in favor of theories
with a scientific tendency as to the nature of genius, we meet first the
one attributing to it a pathological origin. Hinted at in antiquity
(Aristotle, Seneca, etc.), suggested in the oft-expressed comparison
between inspiration and insanity, it has reached, as we know--through
timid, reserved, and partial statements (Lelut)--its complete expression
in the famous formula of Moreau de Tours, "Genius is a neurosis."
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