But like the squire who excuses trespassing and yet draws the line at
poaching, he had suddenly to show his hand. To have his witty
distinctions quoted, to see them go to form another's stock-in-trade--that
he could put up with; it was merely another grotesque turn among the
oddities of humanity that he was never tired of observing. But when,
without his leave, those fly-sheets, those scrawls and sketches on which
he had set so little store, suddenly appeared in print, garnered by some
careful hand, then he flung himself into the world with a kind of
challenge. Like Virgil he dared them to finish what they had professed
to begin, and for himself he proceeded to finish what some one else had
begun for him.
He did not set his name to the book, but allowed the world to know who
was the author. It was published in 1628 by Edward Blount, stationer and
translator, with a preface signed by the latter, but almost certainly
inspired by Earles himself, in which he professes to bring forth to the
light, as it were, infants which the father would have smothered; but
the preface is so void of partiality, it makes so little attempt to
compliment the book, or to insist, as even the most judicial friend
would have done, on the merits of the work, that it is evidently by the
hand of the author--and the author is no less evidently a modest man.
Authors have only been able to wake and find themselves famous since the
days of improved communication; yet John Earles found himself famous as
soon as the little ripple of delight could permeate to the outskirts of
society. The book was so new and bright, the humour was so penetrating
and yet so kind, and it was above all so innocent in its wisdom, that
the reading world seized upon it with delight.
This fame resulting from so slender and nugatory a performance was a
strange surprise to Earles, and had he not been a man who was apt all
through his life to be surprised at his own successes, it might have
turned his brain; but he broke off and wrote no more, at least in that
manner. In five years the book ran through eight editions; and with the
exception of adding a score of pieces to one of the editions--pieces
which at his friends' earnest solicitation he gathered out of
accumulated papers--he wrote nothing else in that kind. Nay, he was so
austere, that he had suppressed many sheets in the first edition,
because there was a dash of coarseness which had somehow invaded their
fibre.
He rose quickly in the world after this, and no one envied him or would
have detracted from him; he bore his greatness so quietly and salted it
so well with gratitude that it never was anything but pure and fragrant.
Public-domain text, read in full here on John Shaqi.
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