Lady Conway, the original of Lady Cardiff in "John Inglesant," was afflicted by mysterious and incurable pains in the head, and not only travelled to consult physicians, but was accustomed to assemble quacks and specialists in her house at Ragley; there More spent most of his time, and composed several books at her ladyship's special request. There, too, he met the faith-healer Greatrakes, a moody man who had lived for some time in seclusion at his own ruined castle of Capperquin in Ireland; as well as the famous Van Helmont, Baron of Austria, Quaker and physician, son of the famous chemist of the same name. This man was all that Greatrakes was not; he had considerable medical skill, and a quiet pious character. To us the union of the preacher and physician is somewhat repugnant. We take it to mean that a man supplies the gaps in his practical knowledge by the pretensions of spiritual insight; we believe him to be proficient in neither. Van Helmont, however, seems to have been a genuine man, and to suffer from an undeserved contempt. As a matter of fact the possession of keen moral insight and sympathy is one of the most powerful instruments that a physician can claim; the physical and mental constitution react so invariably, that without it a man must be at a loss; the healing art need not necessarily halt at the threshold of hypochondria. As I have touched on Lady Conway and Van Helmont, I may as well follow out the part that Henry More plays in that fascinating romance--_John Inglesant_. The life and works, down even to the style and mode of expression, of Henry More have interested and influenced Mr. Shorthouse very strongly. I have heard the conversation between John Inglesant and Dr. More, which is said to have taken place at Oulton, instanced as an admirable _tour de force_ of Mr. Shorthouse's style. The fact is that Henry More speaks there, not in character, but actually; nearly three-quarters of the conversation being sentences and aphorisms extracted straight from More's works. It is very ingeniously done, though a little too elaborate to be lifelike when regarded as conversation. But the effects of Henry More's writings are traceable in several other parts of _John Inglesant_. In the conversation to which I have alluded, More is made to sketch what he considers to be Inglesant's character and physical constitution. He says: "There would seem to be some that by a divine sort of fate are virtuous and good to a great and heroical degree, and fall into the drudgery of the world rather for the good of others, or by a divine force, than through their own fault or any necessity of Nature; as Plato says, they descend hither to declare the being and nature of God, and for the greater health, purity, and perfection of the lower world." He goes on to describe the "luciform vehicle" in which such a soul as this is apt to display itself; and the great need of scrupulous temperance and purity to keep it undimmed.