Transcribed from the 1913 Methuen and Co edition by David Price, email
ccx074@pglaf.org
ESSAYS AND LECTURES
BY
OSCAR WILDE
* * * * *
METHUEN & CO. LTD.
36 ESSEX STREET W.C.
LONDON
_Fourth Edition_
* * * * *
_First Published in Book Form_ (_Limited Edition on _1908_
Handmade Paper and Japanese Vellum_)
_Second Edition_ (_F’cap._ 8_vo_) _1909_
_Third Edition_ ( ,, ,, ) _1911_
_Fourth Edition_ ( ,, ,, ) _1913_
DEDICATED
TO
WALTER LEDGER
BY
THE AUTHOR’S LITERARY EXECUTOR
CONTENTS
PAGE
THE RISE OF HISTORICAL CRITICISM 1
THE ENGLISH RENAISSANCE OF ART 109
HOUSE DECORATION 157
ART AND THE HANDICRAFTMAN 173
LECTURE TO ART STUDENTS 197
LONDON MODELS 213
POEMS IN PROSE 227
PREFACE
WITH the exception of the _Poems in Prose_ this volume does not contain
anything which the author ever contemplated reprinting. _The Rise of
Historical Criticism_ is interesting to admirers of his work, however,
because it shows the development of his style and the wide intellectual
range distinguishing the least _borné_ of all the late Victorian writers,
with the possible exception of Ruskin. It belongs to Wilde’s Oxford days
when he was the unsuccessful competitor for the Chancellor’s English
Essay Prize. Perhaps Magdalen, which has never forgiven herself for
nurturing the author of _Ravenna_, may be felicitated on having escaped
the further intolerable honour that she might have suffered by seeing
crowned again with paltry academic parsley the most highly gifted of all
her children in the last century.
Public-domain text, read in full here on John Shaqi.
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