“Once upon a time,” he went on thinking, “there was a man who was
called Maquetas, a great wayfarer, and he walked for days and days
journeying to a castle, where a good dinner awaited him and a warm
fire and a good bed to rest in, and in the bed a good bedmate. And
there in the castle he was going to live days without end, listening to
stories that went on for ever, joying in his sweet companion, a life of
perpetual youth. And those days would be all alike and all peaceful.
And as they passed, oblivion would fall on them. And all those days
would be thus one eternal day, one same day eternally renewed, a
perpetual to-day overflowing with a whole infinity of yesterdays and
with a whole infinity of to-morrows.
“And Maquetas believed that that was life, and set out on his journey.
And he journeyed on, stopping at inns where he slept, and when the sun
rose he went on his way again. And once, as he was leaving an inn,
he met an aged beggar who was sitting on the trunk of a tree by the
door, and the beggar said to him: ‘Maquetas, what meaning have things?’
And that Maquetas answered him, shrugging his shoulders: ‘What does
that matter to me?’ And the aged beggar asked him again: ‘Maquetas,
what does this road mean?’ And that Maquetas, now somewhat irritated,
answered him: ‘Why do you ask me what the road means? How should I
know? Does anybody know? Does the road mean anything? Leave me in
peace, and God be with you.’ And the aged beggar knitted his brows and
smiled sadly, gazing on the ground.
“And then Maquetas came to a very rugged country and had to cross a
wild mountain ridge by a precipitous footpath hewn out of the rock,
high up over an abyss, in the depths of which sang the waters of an
invisible torrent. And thence he discerned afar the castle that he had
to reach before the sun set, and when he discerned it his heart leaped
for joy in his breast, and he quickened his steps. But a lass, sweet as
a vision, compelled him to stop and rest awhile on a bank of turf, and
that Maquetas rested his head on her lap and stopped. And when he left
her the lass gave him a kiss, the kiss of death, and as soon as the sun
set behind the towers of the castle the cold and the darkness closed in
all round him and the darkness and the cold grew denser and merged into
one. And there fell a silence from which only that song of the eternal
waters emerged. Yonder, in life, sounds, songs, murmurs, used to issue
out of a vague murmurous background, out of a kind of mist of sound;
but here this song emerged out of the profound silence, the silence of
darkness and cold, the silence of death.
“Of death? Yes, of death, for that Maquetas, that valiant wayfarer,
died....
“How sweet the story is, and how sad! It is sweeter, far sweeter,
sadder, far sadder, than that old song my grandmother taught me. Let me
see, how does it go? I will repeat it over again.
Public-domain text, read in full here on John Shaqi.
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