A cardinal tenet of Unamuno’s creed is the superlative value of the
individual soul. It is precious because it is unique and irreplaceable:
“There cannot be any other I.” In the whole world there is only one
Juan López or John Smith; the particular ingredients, good, bad or
indifferent, that have combined to form this unique individuality can
never again reunite in precisely the same proportions to form another
identical combination. This theory, or rather this sense, of the
uniqueness of personality may serve as the basis for an ethic. “Our
greatest endeavour must be to make ourselves irreplaceable; to make the
theoretical fact--that each one of us is unique and irreplaceable--a
practical truth.” The whole duty of man is to discover himself, to
discover his own reality, to discover what is unique in himself, to
bring it to the light, not to shrink from exposing it, to express it in
action and to impose it upon the world. The courage of self-affirmation
is the virtue which Unamuno exhorts his fellow-countrymen to achieve.
He presents a symbol of it in his vision of the Tower of Monterrey
that lifts itself into the wintry air above the brown roofs of his
beloved Salamanca, definite in its clean-cut contours, sure in its
poise and self-containment, serenely affirming its uniqueness and
indestructibility. It says itself, and to say himself is the utmost
that a man can say.
But society, which is the necessary medium through which the individual
must express himself, is a resistant medium. It seeks to impose
conformity upon the individual. It resents the exceptional, the
idiosyncratic. And the social canons that circumscribe the expression
of the individual’s liberty of thought and conduct operate perhaps
nowhere more oppressively than in Spain. They derive their sanction
largely from a sentiment by no means peculiar to Spain though perhaps
peculiarly rampant there, the sentiment of envy, the sense of
bitterness and hostility that is evoked by any salient excellence. And
the chief weapon which envy uses with which to assail the uniqueness of
the individual is ridicule. The special form, therefore, of the courage
of self-affirmation that is demanded of the heroic individual is the
courage to confront ridicule. This courage finds its exemplary exponent
in the figure of Don Quixote, whom Unamuno takes as the supreme symbol
of the warfare of the individual soul. His “Commentary upon the Life of
Don Quixote and Panza” is a clarion-call to his countrymen to emulate
the quixotic qualities of courage and faith--faith, even though it be
in illusion--the quixotic tenacity of conviction, and the quixotic
contempt of the standards of worldly prudence and of the authority of
common sense and the cold, mocking reason.
Public-domain text, read in full here on John Shaqi.
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