You may sometimes range over leagues and leagues of desert country
without descrying anything save the illimitable plain with its patches
of green corn or yellow stubble, here a sparsely extended array of
oaks, marching in solemn and monotonous procession, clothed in their
austere and perennial green, there a group of mournful pines, holding
aloft their uniform crests. Now and again, fringing a bright river or
half-dry stream, a few poplars, seeming intensely and vividly alive in
the midst of the infinite solitude. As a rule these poplars announce
the presence of man: yonder on the plain lies some village, scorched by
the sun, blasted by the frost, built of sun-baked bricks very often,
its belfry silhouetted against the blue of the sky. Often the spinal
ridge of the sierra can be seen in the distance, but if you approach it
you must not look to find rounded bossy mountains, fresh with verdure
and clothed with woods, with the yellow of the gorse and the carmine of
the heather flecking the bracken. Here is nothing but a framework of
bony fleshless rock, bristling with crags, sharp-cut hummocks nakedly
displaying drought-cracked strata, covered at most with a scanty scrub,
where flourish only the hardy thistle and the naked scented broom,
the poor _genestra contenta dei deserti_ of Leopardi’s poem. Down in
the plain the highway with its festoon of trees loses itself in the
greyness of the earth, which kindles into an intense warm red when the
sun sinks to rest.
The setting of the sun in these immense solitudes is full of beauty.
The sun dilates as it touches the horizon as if greedy to enjoy still
more of the earth and in sinking it sheds its light upon it like blood
and fills the sky with a dust of gold. The infinite dome of the sky
grows paler and paler, then swiftly darkens, and the fleeting twilight
is followed by the profundity of a night tremulous with stars. Here are
no northern twilights, long, soft and languorous.
Broad is Castile! And beautiful with a sad quiet beauty this sea
of stone beneath its expanse of sky. It is a landscape uniform and
monotonous in its contrasts of light and shade, in its sharply
juxtaposed and unmodulated colours. It presents the appearance of an
immense floor of mosaic, without variety of design, above which is
spread out a sky of intensest blue. It is lacking in gentle transitions
and its only harmonic continuity is that of the immense plain and the
massed blue which overspreads and illumines it.
It is a landscape that awakens no voluptuous sensations of _joie de
vivre_, that inspires no longings for ease and idleness. Here are no
lush green meadows inviting indolent repose, no dells that beckon like
nests.
Its contemplation does not call forth the sleeping animal in us, the
animal that delights to drowse in a leafy paradise, brooding over the
remembered satisfactions of those appetites which have been kneaded
into the flesh since the earliest dawn of life.
Public-domain text, read in full here on John Shaqi.
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