In this respect we Spaniards are inclined to think ourselves geniuses, or rather we have a very robust conception of the Divinity--we think of Him not as the frigid and exalted God of the French Deism of the 18th century, nor yet as the good-natured and easy-going God of good people that Béranger depicts, but rather as a God whose attention and care extends to the very last ant, regarded as a separate individual, as well as to the very greatest and most splendid of suns. In actual fact all these claims to singularity and to being one apart from the rest may become reprehensible, but it is at least understandable that an orator, for example, or a writer, or a singer, should regard himself as the best orator, the best writer, or the best singer. What is not understandable is that a man who is neither orator, writer, painter, sculptor, musician, nor man of business, that a man who does nothing at all, should expect by the mere fact of his presence to be reputed a man of extraordinary merit and exceptional talent. And nevertheless here in Spain--I do not know how it may be elsewhere--there are many examples of this curious phenomenon. I know of the man who is ready to admit that others may be handsomer, smarter, stronger, healthier, wiser, more intelligent, more generous, than he, that in each and all of their endowments they have the advantage over him; but nevertheless he, Juan Lopez, the individual in question, is superior to everyone else just because he is Juan Lopez, because there is no other Juan Lopez exactly like him and because it is impossible that all the qualities, good, bad and indifferent, that make him him, Juan Lopez, should ever be assembled together again. He is a unique individual, he cannot be substituted by anyone else--and he is in a measure right in thinking so. He can say with _Obermann_: “In the universe I am nothing; for myself I am everything.” This violent individualism, combined with very meagre personalism, with a great lack of personality, is a factor that explains a great deal of our history. It explains that intense thirst for individual immortality which consumes the Spaniard, a thirst that lies hidden beneath what is called our cult of death. Homage to this cult of death is rendered no less by the most furious lovers of life, by those in whom the joy of living is unable to extinguish the hunger for survival. It appears to me a very great error to assert that the Spaniard does not love life because he finds life hard. On the contrary, it is because his life is hard that he has not arrived at the _tædium vitæ_, the _Weltschmerz_ of the satiated, and that he has always aimed at prolonging it indefinitely beyond death.