"Our third happiness was the arrival of a certain young unknown friend
named Emerson, from Boston, in the United States, who turned aside so
far from his British, French, and Italian travels to see me here! He
had an introduction from Mill and a Frenchman (Baron d'Eichthal's
nephew) whom John knew at Rome. Of course, we could do no other than
welcome him; the rather as he seemed to be one of the most lovable
creatures in himself we had ever looked on. He stayed till next day
with us, and talked and heard to his heart's content, and left us all
really sad to part with him."
In 1841 Carlyle wrote to John Sterling a few words apropos of the
recent publication of Emerson's essays in England:
"I love Emerson's book, not for its detached opinions, not even for
the scheme of the general world he has framed for himself, or any
eminence of talent he has expressed that with, but simply because it
is his own book; because there is a tone of veracity, an unmistakable
air of its being _his_, and a real utterance of a human soul, not a
mere echo of such. I consider it, in that sense, highly remarkable,
rare, very rare, in these days of ours. Ach Gott! It is frightful to
live among echoes. The few that read the book, I imagine, will get
benefit of it. To America, I sometimes say that Emerson, such as he
is, seems to me like a kind of New Era."
John Morley, the acute English critic, has made an analytic study of
Emerson's style, which may reconcile the reader to some of its
exasperating peculiarities.
Public-domain text, read in full here on John Shaqi.
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