Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.Various
History
Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.
Various
American essays; Literature, Modern -- History and criticism
And the unwonted behavior of me, the upside-downing and inside-outing
of whatever I had fondly supposed to be my “ways”! It is to be desired,
in general, that I were a less unspiritual creature; but there, at
least, I haunted the great churches, especially Saint-Sulpice, with
its solemn evensong borne on six hundred voices of seminarian men
and boys. Whereas I had ever the relish of a genuine antiquary for
tombs and epitaphs, I bolted incontinently from the beaded wreaths of
Père-la-Chaise, and paid with a fit of shuddering for my propinquity
to historic ashes in Saint-Denis. It would confound any of my
acquaintances to be told that I was a misanthrope or a royalist; yet
I used to look after the ominous, noisy, big-hatted, blue-chinned,
whip-cracking cabbies, and grind my teeth at them as at the whole
incarnate Revolution, which they instantly bring to mind. As for the
Louvre, it gave me no comfort; I crossed its threshold but seldom, for
it tore me in pieces with the unbearable glory on its walls.
In fine, Paris had about driven me mad. While I strolled the Quarter, I
had for company, step for step, now Abelard, now Jacques de Molay and
his Templars, now the Maid, now Coligny or Guise, now the Girondists
and André Chénier: the long procession of the wronging and the wronged,
the disillusioned, the slain, which belongs to those altered and
brightened streets. Strange theories inhabited me; I was no crass
optimist any more. My head hummed with the tragic warning of Bossuet,
which Persius uttered before him, that at the bottom of every knowable
thing was nothingness. And all this with a bun in one fist, and in the
other a gem of a duodecimo, bought at the quays for three sous, with a
cloudless sky above, and every incentive, including poverty, towards
fullest content and exhilaration.
In London I had been happy, and “clad in complete steel” against such
alien moods as these. And to London, eventually, I had to go back,
although M. S., who lives for art and Chicago, and who always knows
what’s what, compared me to a spook with no stomach for Paradise,
whimpering for Hades and the sooty company thereof. But in London I
was calm, normal, free, as by some eternal paradox.
One door in Paris I regretted to leave, for I went almost daily, like
Little Billee and his cheerful colleagues, to the Morgue. I should have
become a great novelist, had I taken my chances there a bit longer!
Next to the Morgue, I was loath to part with the bridges, over which
goes so much laughing and shining life, under which so much mystery is
forever being fished up by aid of the torch and the prong. Ah, those
men and women, stung, from the beginning, by the scorpions in that
smooth, clean, treacherous air, and asking of the Seine water that it
should quench immaterial fires!
Public-domain text, read in full here on John Shaqi.
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