English literature -- 19th century -- History and criticism; French literature -- 19th century -- History and criticism
"When Mr. Browning was a mere boy, it is recorded that he debated
within himself whether he should not become a painter or a musician as
well as a poet. Finally, though not, I believe, for a good many years,
he decided in the negative. But the latent qualities of painter and
musician had developed themselves in his poetry, and much of his finest
and very much of his most original verse is that which speaks the
language of painter and musician as it had never before been spoken.
No English poet before him has ever excelled his utterances on music,
none has so much as rivalled his utterances on art. 'Abt Vogler' is
the richest, deepest, fullest poem on music in the language. It is not
the theories of the poet, but the instincts of the [47] musician, that
it speaks. 'Master Hugues of Saxe-Gotha,' another special poem on
music, is unparalleled for ingenuity of technical interpretation: 'A
Toccata of Galuppi's' is as rare a rendering as can anywhere be found
of the impressions and sensations caused by a musical piece; but 'Abt
Vogler' is a very glimpse into the heaven where music is born."
It is true that "when the head has to be exercised before the heart
there is chilling of sympathy." Of course, so intellectual a poet (and
only the intellectual poet, as we have pointed out, can be adequate to
modern demands) will have his difficulties. They were a part of the
poet's choice of vocation, and he was fully aware of them:--
"Mr. Browning might say, as his wife said in an early preface, I never
mistook pleasure for the final cause of poetry, nor leisure for the
hour of the poet--as indeed he has himself said, to much the same
effect, in a letter printed many years ago: I never pretended to offer
such literature as should be a substitute for a cigar or a game at
dominoes to an idle man."
"Moreover, while a writer who deals with [48] easy themes has no excuse
if he is not pellucid to a glance, one who employs his intellect and
imagination on high and hard questions has a right to demand a
corresponding closeness of attention, and a right to say with Bishop
Butler, in answer to a similar complaint: 'It must be acknowledged that
some of the following discourses are very abstruse and difficult, or,
if you please, obscure; but I must take leave to add that those alone
are judges whether or no, and how far this is a fault, who are judges
whether or no, and how far it might have been avoided--those only who
will be at the trouble to understand what is here said, and to see how
far the things here insisted upon, and not other things, might have
been put in a plainer manner.'"
Public-domain text, read in full here on John Shaqi.
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