"I wish you to observe," says Cardinal Newman, "that the mere dealer in words cares little or nothing for the subject which he is embellishing, but can paint and gild anything whatever to order; whereas the artist, whom I am acknowledging, has his great or rich visions before him, and his only aim is to bring out what he thinks or what he feels in a way adequate to the thing spoken of, and appropriate to the speaker." 17th February 1886 II. AMIEL'S "JOURNAL INTIME" Amiel's Journal. The Journal Intime of Henri-Frederic Amiel. Translated, with an Introduction and Notes, by Mrs. Humphry Ward. Two vols. Macmillans. [19] CERTAIN influential expressions of opinion have attracted much curiosity to Amiel's Journal Intime, both in France, where the book has already made its mark, and in England, where Mrs. Humphry Ward's translation is likely to make it widely known among all serious lovers of good literature. Easy, idiomatic, correct, this English version reads like an excellent original English work, and gives fresh proof that the work of translation, if it is to be done with effect, must be done by those who, possessing, like Mrs. Ward, original literary gifts, are willing to make a long act of self-denial or self-effacement [20] for the benefit of the public. In this case, indeed, the work is not wholly one of self-effacement, for the accomplished translator has prefaced Amiel's Journal by an able and interesting essay of seventy pages on Amiel's life and intellectual position. And certainly there is much in the book, thus effectively presented to the English reader, to attract those who interest themselves in the study of the finer types of human nature, of literary expression, of metaphysical and practical philosophy; to attract, above all, those interested in such philosophy, at points where it touches upon questions of religion, and especially at the present day.