Essays in English Literature, 1780-1860Saintsbury, George
History
Essays in English Literature, 1780-1860
Saintsbury, George
English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
It is possible that the title "The Kinds of Criticism" may have excited
in some readers expectations of the discussion of a subject which has
not yet been handled. We have recently seen revived the sempiternal
argument between authors and critics--an argument in which it may be as
well to say that the present writer has not yet taken part either
anonymously or otherwise. The authors, or some of them, have remarked
that they have never personally benefited by criticism; and the critics,
after their disagreeable way, have retorted that this was obvious. A
critic of great ingenuity, my friend Mr. Andrew Lang, has, with his
usual humour, suggested that critics and reviewers are two different
kinds, and have nothing to do with each other essentially, though
accidentally, and in the imperfect arrangements of the world, the
discharge of their functions may happen to be combined in the same
person. As a matter of practice, this is no doubt too often the case; as
a matter of theory, nothing ought much less to be the case. I think
that if I were dictator, one of the first non-political things that I
should do, would be to make the order of reviewers as close a one, at
least, as the bench of judges, or the staff of the Mint, or of any
public establishment of a similar character. That any large amount of
reviewing is determined by fear or favour is a general idea which has
little more basis than a good many other general ideas. But that a very
large amount of reviewing is determined by doubtless well-meaning
incompetence, there is no doubt whatever. It is on the whole the most
difficult kind of newspaper writing, and it is on the whole the most
lightly assigned and the most irresponsibly performed. I have heard of
newspapers where the reviews depended almost wholly on the accident of
some of the staff taking a holiday, or being laid for a time on the
shelf, or being considered not up to other work; of others, though this
I own is scarcely credible, where the whole reviewing was farmed out to
a manager, to be allotted to devils as good to him seemed; of many where
the reviews were a sort of exercising-ground on which novices were
trained, broken-down hacks turned out to grass, and invalids allowed a
little gentle exercise. And I know of not a few papers and not a few
reviewers in which and by whom, errors and accidents excepted, the best
work possible is given to one of the most important kinds of work. Of
common mistakes on the subject, which are not merely silly crazes, such
as the log-rolling craze and the five-pound note craze and the like, the
worst known to me, though it is shared by some who should know better,
is that a specialist is the best reviewer. I do not say that he is
always the worst; but that is about as far as my charity, informed by
much experience, can go. Even if he has no special craze or megrim, and
does not decide offhand that a man is hopeless because he calls Charles
Public-domain text, read in full here on John Shaqi.
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