new editions of works previously issued by them, showing not only that the original impression was sold out, but that it was thought profitable to undertake another. In 1474 the names of the printers entirely disappear as partners. Sweynheym is known to have died before 1478 (when the Ptolemy, which he had begun to prepare for the press, was published by Arnold Buckingk), but at what particular time is uncertain. Pannartz comes forward by himself in December 1474, and in the following year he occurs as the printer of eight books, chiefly classical. In 1476 he prints three, but his activity abruptly terminates in March, a period coinciding with a collapse in Roman publishing, best illustrated by a comparative table:— 1475 53 books. 1476 24 books. 1477 14 books. 1478 15 books. 1479 11 books. 1480 9 books. No doubt many undated books were published in these years, and after 1480 some revival is apparent, but the quality of the publication is greatly lowered. Classics continued to be printed, but they retire into the background before canon and civil law, and the apparent number is greatly helped out by ephemeral pamphlets, such as papal briefs and addresses on public occasions. The endeavour to render Rome an intellectual centre had manifestly failed, nor has she deserved this character at any subsequent period, except for the few years during which wits and scholars gathered around Leo X. Before leaving the subject, nevertheless, a tribute should be paid to the merits of Joannes Philippus de Lignamine, a native of Messina, apparently a man of good family, and not improbably the first native Italian to exercise the typographic art, in whose productions may be traced rudimentary ideas of a higher order than were vouchsafed to his mercantile contemporaries. It can hardly be by accident that the same man who in 1472 prints the first vernacular book that had appeared in Rome, should in the same year publish, although in Latin, the first biography of an Italian contemporary, his own memoir of his own sovereign, Ferdinand of Naples; should in 1473 issue the vernacular poetry of Petrarch; and in 1474 a book of such national interest as the "Italia Illustrata" of Flavio Biondo. His publications are always of high quality, and it would be interesting to learn more respecting him. He is described as a member of the Pope's household, and was certainly something more than a professional printer.