Essays in Literature and HistoryFroude, James Anthony
History
Essays in Literature and History
Froude, James Anthony
History; Literature
For, ultimately, how do we know that right is right,
and wrong is wrong? People in general accept it on
authority; but authority itself must repose on some
ulterior basis; and what is that? . . . Are we to say
that in morals there is a system of primary axioms, out
of which we develop our conclusions, and apply them,
as they are needed, to life? It does not appear so.
The analogy of morals is rather with art than with
geometry. The grace of heaven gives us good men,
and gives us beautiful creations; and we, perceiving by
the instincts within ourselves that celestial presence in
the objects on which we gaze, find out for ourselves
the laws which make them what they are, not by comparing
them with any antecedent theory, but by careful
analysis of our own impressions, by asking ourselves
what it is which we admire in them, and calling that
good, and calling that beautiful.
So, then, if admiration be the first fact, if the sense
of it be the ultimate ground on which the after temple
of morality, as a system, upraises itself, if we can be
challenged here on our own ground, and fail to make
it good, what we call the life of the soul becomes a
dream of a feeble enthusiast, and we moralists a mark
for the sceptic's finger to point at with scorn.
Bold and ably urged arguments against our own
convictions, if they do not confuse us, will usually send
us back over our ground to re-examine the strength of
our positions: and if we are honest with ourselves, we
shall very often find points of some uncertainty left
unguarded, of which the show of the strength of our
enemy will oblige us to see better to the defence ....
It was not without some shame, and much uneasiness,
that, while we were ourselves engaged in this process,
full of indignation with Mr. Macaulay, we heard a
clear voice ringing in our ear, "Who art thou that
judgest another?" and warning us of the presence in
our own heart of a sympathy, which we could not deny,
with the sadly questionable hero of the German epic,
Reynard the Fox. With our vulpine friend, we were
on the edge of the very same abyss, if, indeed, we
were not rolling in the depth of it. By what sophistry
could we justify ourselves, if not by the very same
which we had just been so eagerly condemning? And
our conscience whispered to us that we had been swift
to detect a fault in another, because it was the very
fault to which, in our own heart of hearts, we had a
latent leaning.
Public-domain text, read in full here on John Shaqi.
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