Essays in Literature and HistoryFroude, James Anthony
History
Essays in Literature and History
Froude, James Anthony
History; Literature
Was it so indeed, then? Was Reineke no better
than Iago? Was the sole difference between them,
that the vales sacer who had sung the exploits of
Reineke loved the wicked rascal, and entangled us in
loving him? It was a question to be asked .... And
yet we had faith enough in the straightforwardness of
our own sympathies to feel sure that it must admit of
some sort of answer. And, indeed, we rapidly found
an answer satisfactory enough to give us time to
breathe, in remembering that Reineke, with all his
roguery, has no malice in him .... It is not in his
nature to hate; he could not do it if he tried. The
characteristic of Iago is that deep motiveless malignity
which rejoices in evil as its proper element, which loves
evil as good men love virtue. In his calculations on
the character of the Moor, he despises his
unsuspicious trustingness as imbecility, while he hates him
as a man because his nature is the perpetual opposite
and perpetual reproach of his own .... Now Reineke
would not have hurt a creature, not even Scharfenebbe,
the crow's wife, when she came to peck his eyes out,
if he had not been hungry; and that gastros ananke,
that craving of the stomach, makes a difference quite
infinite. It is true that, like Iago, he rejoices in the
exercise of his intellect; the sense of his power, and the
scientific employment of his time are a real delight to
him; but then, as we said, he does not love evil for its
own sake; he is only somewhat indifferent to it. If the
other animals venture to take liberties with him, he will
repay them in their own coin, and get his quiet laugh
at them at the same time; but the object generally for
which he lives is the natural one of getting his bread
for himself and his family; and, as the great moralist
says, "It is better to be bad for something than for
nothing." Badness generally is undesirable; but badness
in its essence, which may be called heroic badness,
is gratuitous.
But this first thought served merely to give us a
momentary relief from our alarm, and we determined
we would sift the matter to the bottom, and no more
expose ourselves to be taken at such disadvantage.
We went again to the poem, with our eyes open, and
our moral sense as keenly awake as a genuine wish to
understand our feelings could make it. We determined
that we would really know what we did feel and what
we did not. We would not be lightly scared away from
our friend, but neither would we any more allow our
judgment to be talked down by that fluent tongue of
his; he should have justice from us, he and his biographer,
as far as it lay with us to discern justice and
to render it.
Public-domain text, read in full here on John Shaqi.
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