"The general reader," says a frank critic, "hates the very name of a Saga." The general reader, in that case, is to be pitied, and, if possible, converted. But, just as Pascal admits that the sceptic can only become religious by living as if he _were_ religious--by stupefying himself, as Pascal plainly puts it, with holy water--so it is to be feared that there is but a single way of winning over the general reader to the Sagas. Preaching and example, as in this brief essay, will not avail with him. He must take Pascal's advice, and live for an hour or two as if he were a lover of Sagas. He must, in brief, give that old literature a fair chance. He has now his opportunity: Mr. William Morris and Mr. Eirikr Magnusson are publishing a series of cheap translations--cheap only in coin of the realm--a _Saga Library_. If a general reader tries the first tale in the first volume, story of "Howard the Halt,"--if he tries it honestly, and still can make no way with it, then let him take comfort in the doctrine of Invincible Ignorance. Let him go back to his favourite literature of gossiping reminiscence, or of realistic novels. We have all, probably, a drop of the Northmen's blood in us, but in that general reader the blood is dormant. What is a Saga? It is neither quite a piece of history nor wholly a romance. It is a very old story of things and adventures that really happened, but happened so long ago, and in times so superstitious, that marvels and miracles found their way into the legend. The best Sagas are those of Iceland, and those, in translations, are the finest reading that the natural man can desire. If you want true pictures of life and character, which are always the same at bottom, or true pictures of manners, which are always changing, and of strange customs and lost beliefs, in the Sagas they are to be found. Or if you like tales of enterprise, of fighting by land and sea, fighting with men and beasts, with storms and ghosts and fiends, the Sagas are full of this entertainment.