American essays -- 19th century; Literature -- History and criticism
COMEDY OF THE CUSTOM HOUSE
There is no place in the world where human nature is so thoroughly human
or so purely natural as on the New York docks, when a great steamer
load of returning travelers are being put through the _peine forte et
dure_ of the United States custom house. Everybody is striving to play
a part, to assume an air of indifference which he does not feel, and of
innocence which he knows to be fallacious; and, like Mrs. Browning’s
Masker, everybody betrays too plainly in his “smiling face” and “jesting
bold” the anxiety that preys upon his vitals. Packed snugly away in
that wilderness of trunks and boxes are hundreds, nay, thousands, of
pretty trifles, which it is the painful duty of every man, and the proud
ambition of every woman, to carry in unscathed and undetected. The frank,
shameless delight which a woman takes in smuggling has long puzzled the
male moralist, who, following the intricacies of the feminine conscience,
can find no satisfactory explanation of this by-path. He cannot bring her
to understand why, when she has purchased and paid for an article, it
should not be hers to take where she likes, to deal with as she pleases;
and a dozen discourses on political economy and the laws of nations leave
her unshaken in this simple and primitive conception. As the English are
said to argue best in platoons, so a woman argues best in action; and,
while her husband or brother is proving to her in the clearest possible
fashion that a high protective tariff is a blessing to the land, she is
assiduously storing away embroidered table covers, and silk stockings,
and silver spoons, and tortoise-shell combs, and tiny jeweled pins,
and bits of frail Venetian glass, wherever her practiced eye tells her
they will best escape detection. In the abstract, of course, dear Edwin
is right—he always is—but she is far too busy with her task to enter
into abstractions just now. Whatever mental subtlety she possesses is
reserved for a much more important ordeal—that of getting clear, with a
clean conscience, from the searching questions of the inspector. “When
I am asked if I have any presents I always answer no,” said a devout,
church-going woman to me one day, “because I do not consider them
presents until I give them away.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account