Essays in the Art of WritingStevenson, Robert Louis
History
Essays in the Art of Writing
Stevenson, Robert Louis
Authorship; Literature -- History and criticism; Stevenson, Robert Louis, 1850-1894 -- Authorship
On such a fine frosty night, with no wind and the thermometer below zero,
the brain works with much vivacity; and the next moment I had seen the
circumstance transplanted from India and the tropics to the Adirondack
wilderness and the stringent cold of the Canadian border. Here then,
almost before I had begun my story, I had two countries, two of the ends
of the earth involved: and thus though the notion of the resuscitated man
failed entirely on the score of general acceptation, or even (as I have
since found) acceptability, it fitted at once with my design of a tale of
many lands; and this decided me to consider further of its possibilities.
The man who should thus be buried was the first question: a good man,
whose return to life would be hailed by the reader and the other
characters with gladness? This trenched upon the Christian picture, and
was dismissed. If the idea, then, was to be of any use at all for me, I
had to create a kind of evil genius to his friends and family, take him
through many disappearances, and make this final restoration from the pit
of death, in the icy American wilderness, the last and the grimmest of
the series. I need not tell my brothers of the craft that I was now in
the most interesting moment of an author’s life; the hours that followed
that night upon the balcony, and the following nights and days, whether
walking abroad or lying wakeful in my bed, were hours of unadulterated
joy. My mother, who was then living with me alone, perhaps had less
enjoyment; for, in the absence of my wife, who is my usual helper in
these times of parturition, I must spur her up at all seasons to hear me
relate and try to clarify my unformed fancies.
And while I was groping for the fable and the character required, behold
I found them lying ready and nine years old in my memory. Pease porridge
hot, pease porridge cold, pease porridge in the pot, nine years old. Was
there ever a more complete justification of the rule of Horace? Here,
thinking of quite other things, I had stumbled on the solution, or
perhaps I should rather say (in stagewright phrase) the Curtain or final
Tableau of a story conceived long before on the moors between Pitlochry
and Strathardle, conceived in Highland rain, in the blend of the smell of
heather and bog-plants, and with a mind full of the Athole correspondence
and the memories of the dumlicide Justice. So long ago, so far away it
was, that I had first evoked the faces and the mutual tragic situation of
the men of Durrisdeer.
Public-domain text, read in full here on John Shaqi.
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