Essays in the Art of WritingStevenson, Robert Louis
History
Essays in the Art of Writing
Stevenson, Robert Louis
Authorship; Literature -- History and criticism; Stevenson, Robert Louis, 1850-1894 -- Authorship
My story was now world-wide enough: Scotland, India, and America being
all obligatory scenes. But of these India was strange to me except in
books; I had never known any living Indian save a Parsee, a member of my
club in London, equally civilised, and (to all seeing) equally accidental
with myself. It was plain, thus far, that I should have to get into
India and out of it again upon a foot of fairy lightness; and I believe
this first suggested to me the idea of the Chevalier Burke for a
narrator. It was at first intended that he should be Scottish, and I was
then filled with fears that he might prove only the degraded shadow of my
own Alan Breck. Presently, however, it began to occur to me it would be
like my Master to curry favour with the Prince’s Irishmen; and that an
Irish refugee would have a particular reason to find himself in India
with his countryman, the unfortunate Lally. Irish, therefore, I decided
he should be, and then, all of a sudden, I was aware of a tall shadow
across my path, the shadow of Barry Lyndon. No man (in Lord Foppington’s
phrase) of a nice morality could go very deep with my Master: in the
original idea of this story conceived in Scotland, this companion had
been besides intended to be worse than the bad elder son with whom (as it
was then meant) he was to visit Scotland; if I took an Irishman, and a
very bad Irishman, in the midst of the eighteenth century, how was I to
evade Barry Lyndon? The wretch besieged me, offering his services; he
gave me excellent references; he proved that he was highly fitted for the
work I had to do; he, or my own evil heart, suggested it was easy to
disguise his ancient livery wit a little lace and a few frogs and
buttons, so that Thackeray himself should hardly recognise him. And then
of a sudden there came to me memories of a young Irishman, with whom I
was once intimate, and had spent long nights walking and talking with,
upon a very desolate coast in a bleak autumn: I recalled him as a youth
of an extraordinary moral simplicity—almost vacancy; plastic to any
influence, the creature of his admirations: and putting such a youth in
fancy into the career of a soldier of fortune, it occurred to me that he
would serve my turn as well as Mr. Lyndon, and in place of entering into
competition with the Master, would afford a slight though a distinct
relief. I know not if I have done him well, though his moral
dissertations always highly entertained me: but I own I have been
surprised to find that he reminded some critics of Barry Lyndon after
all. . . .
PREFACE TO ‘THE MASTER OF BALLANTRAE’ {145}
Public-domain text, read in full here on John Shaqi.
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