It is rarely indeed that we can trace a couple of these lyrics to the
same brain--we may not say "to the same hand," for the folk-poet's
hand is taken up with striking the anvil or guiding the plough; to
more intellectual uses he does not put it--yet expressing as they do
emotions which are not only the same at bottom, but are here felt and
regarded in precisely the same way, there results so much unity of
design and execution, that, as we read, unawares the songs weave
themselves into slight pastoral idylls--typical peasant romances in
which real _contadini_ speak to us of the new life wrought in them
by love. Even the repeated mention of the Sicilian diminutives of
the names of Salvatore and Rosina helps the illusion that a thread of
personal identity connects together many of the fugitive _canzuni_.
Thus we are tempted to imagine Turiddu and Rusidda as a pair of lovers
dwelling in the sunny Conca d'Oro--he "so sweet and beautiful a youth,
that God himself must surely have fashioned him"--a youth with "black
and laughing eyes, and a little mouth from whence drops honey:" she a
maiden of
... quattordicianni,
L'occhi cilestri e li capiddi biunni--
"fourteen years, celestial eyes, blonde hair;" to see her long tresses
"shining like gold spun by the angels," one would think "that she
had just fallen out of Paradise." "She is fairer than the foam of the
sea"--
"My little Rose in January born,
Born in the month of cold and drifted snow,
Its whiteness stays thy beauty to adorn,
Nought than thy velvet skin more white can show.
Thou art the star that shines, tho' bright the morn,
And casts on all around a silver glow."
But Rusidda's mother will have nothing to say to poor Turiddu; he
complains, "Ah! God, what grief to have a tongue and not to be able to
speak; to see her and dare not make any sign! Ah, God in heaven, and
Virgin Mary, tell me what I am to do? I look at her, she looks at me,
neither I nor she can say a word!" Then an idea strikes him; he gets a
friend to take her a message: "When we pass each other in the street,
we must not let the folk see that we are in love, but you will lower
your eyes and I will lower my head; this shall be our way of saluting
one another. Every saint has his day, we must await ours." Encouraged
by this stratagem, Turiddu grows bold, and one dark night, when none
can see who it is, he serenades his "little Rose:"
"Sleep, sleep, my hope, yea sleep, nor be afraid,
Sleep, sleep, my hope, in confidence serene,
For if we both in the same scales be weighed,
But little difference will be found between.
Have you for me unfeigned love displayed,
My love for you shall greater still be seen.
If we could both in the same scales be weighed,
But small the difference would be found between."
Public-domain text, read in full here on John Shaqi.
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