We've come to see Jenny Jones.
How is she now?
Jenny is ironing, ironing, ironing,
Jenny is ironing, you can't see her now.
We've come to see Jenny Jones.
How is she now?
Jenny is ill, ill, ill,
Jenny is ill, so you can't see her now.
We've come to see Jenny Jones.
How is she now?
(_Mournfully._)
Jenny is dead, dead, dead,
Jenny is dead, you can't see her now.
May we come to the funeral?
Yes.
May we come in red?
Red is for soldiers; you can't come in red.
May we come in blue?
Blue is for sailors; you can't come in blue.
May we come in white?
White is for weddings; you can't come in white.
May we come in black?
Black is for funerals, so you can come in that.
Jenny is then carried and buried (_i.e._, laid on the grass) by two
of the girls, while the rest follow as mourners, uttering a low,
prolonged wail.
Perhaps the earliest acted tragedy--a tragedy acted before AEschylus
lived--was something like this. Anyhow, it may remind us of how early
a taste for the tragic is developed, if not in the life of mankind
at all events in the life of man. "What is the reason," asks St
Augustine, "that men wish to be moved by the sight of tragic and
painful things, which, nevertheless, they do not wish to undergo
themselves? For the spectators (at a play) desire to feel grieved,
and this grief is their joy: whence comes it unless from some strange
spiritual malady?"[7]
Dr Pitre describes this Sicilian game: A child lies down, pretending
to be dead. His companions stand round and sing a dirge in the most
dolorous tones. Now and then, one of them runs up to him and lifts
an arm or a leg, afterwards letting it fall, to make sure that he is
quite dead. Satisfied on this point, they prepare to bury him, but
before doing so, they nearly stifle him with parting kisses. Tired, at
last, of his painful position, the would-be dead boy jumps up and gets
on the back of the most aggressive of his playmates, who is bound to
carry him off the scene.
To play at funerals was probably a very ancient amusement. No doubt
some such game as the above is alluded to in the text, "... children
sitting in the markets and calling unto their fellows and saying, We
have piped unto you and ye have not danced, we have mourned unto you
and ye have not lamented."
VI.
Public-domain text, read in full here on John Shaqi.
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