The marriage generally comes off on a Sunday. Who weds on Monday
goes mad; Tuesday will bring a bad end; Wednesday is a day good for
nothing; Thursday all manner of witches are abroad; Friday leads to
early death; and, as to Saturday, you must not choose that, _parche de
sabo piove_, "because on Saturday it rains!"
The bride has two toilets--one for the church, one for the wedding
dinner. At the church she wears a black veil, at the feast she appears
crowned with flowers. After she is dressed and before the bridegroom
arrives, the young girl goes to her father's room and kneeling down
before him, she prays with tears in her eyes to be forgiven whatever
grief she may have caused him. He grants her his pardon and gives her
his blessing. In the early dawn the wedding party go to church either
on foot or in gondolas, for it is customary for the marriage knot to
be tied at the conclusion of the first mass. When the right moment
comes the priest puts the _vera_, or wedding ring, on the tip of the
bride's finger, and the bridegroom pushes it down into its proper
place. If the _vera_ hitches, it is a frightfully bad omen. When once
it is safely adjusted, the best man steps forward and restores to
the bride's middle finger the little ring which formed the lover's
earliest gift; for this reason he is called _compare de l'anelo_, a
style and title he will one day exchange for that of _compare de San
Zuane_.
At the end of the service the bride returns to her father's house,
where she remains quietly till it is time to get ready for dinner. As
the clock strikes four, the entire wedding party, with the parents
of bride and bridegroom and a host of friends and relations, start in
gondolas for the inn at which the repast is to take place. The whole
population of the _calle_ or _campo_ is there to see their departure,
and to admire or criticise, as the case may be. After dinner, when
everyone has tasted the good wine and enjoyed the good fare, the feast
breaks up with cries of _Viva la novizza!_ followed by songs, stories,
laughter, and much flirtation between the girls and boys, who make the
most of the freedom of intercourse conceded to them in honour of
the day. Then the music begins, the table is whisked away, and the
assembled guests join lustily in the dance; the women perhaps, singing
at intervals, "Enota, enota, enio!" a burden borne over to Venice
from the Grecian shore. The romance is finished; Marieta and Nane are
married, the _zornada santa_ wanes to its close, the tired dancers
accompany the bride to the threshold of her new home, and so adieu!
Public-domain text, read in full here on John Shaqi.
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