--those wonderful poet discoverers, more wonderful as discoverers than
as poets, who found out that a new music was to be made in a tongue,
not Latin, nor yet Provencal--a tongue which had grown into life under
the double foster-fathership of Arabian culture and Norman rule, the
_lingua cortigiana_ of the palaces of Palermo, the "common speech" of
Dante. When we recollect how the earliest written essays in Italian
were composed in what once was styled Sicilian, it seems a trifle
unfair for the practical adaptator--in this case as often happens in
the case of individuals--to have so completely borne away the glory
from the original inventor as to cause the latter to be all but
forgotten. We now hear only of the "sweet Tuscan tongue," and even
the pure pronunciation of educated Sicilians is not admitted without
a comment of surprise. But whilst the people of Tuscany quickly
assimilated the _lingua cortigiana_ and made it their own, the people
of Sicily stuck fast to their old wild-flower language, and left
ungathered the gigantic lily nurtured in Palermitan hot-houses and
carried by the great Florentine into heaven and hell. They continued
speaking, not the Sicilian we call Italian, but the Sicilian we call
patois--the Sicilian of the folk-songs. The study of Italic dialects
is one by no means ill-calculated to repay the trouble bestowed
upon it, and that from a point of view not connected with their
philological aspect. How far, or it may be I should say, how soon they
will die out, in presence of the political unity of the country, and
of the general modern tendency towards the adoption of standard forms
of language, it is not quite easy to decide. Were we not aware of the
astonishing rapidity with which dialects, like some other things, may
give way when once the least breach is opened, we might suppose
that those of Italy were good for many hundred years. Even the
upper classes have not yet abandoned them: it is said that there
are deputies at Monte Citorio who find the flow of their ideas sadly
baulked by the parliamentary etiquette which expects them to be
delivered in Italian. And the country-people are still so strongly
attached to their respective idioms as to incline them to believe
that they are the "real right thing," to the disadvantage of all
competitors. Not long ago, a Lombard peasant-woman employed as nurse
to a neuralgic Sicilian gentleman who spoke as correctly as any
Tuscan, assured a third person with whom she chatted in her own
dialect--it was at a bath establishment--that her patient did not know
a single word of Italian! But it is reported that in some parts of
Italy the peasants are beginning to forget their songs; and when
a generation or two has lived through the aera of facile
inter-communication that makes Reggio but two or three days' journey
from Turin, when every full-grown man has served his term of military
service in districts far removed from his home, the vitality of the
Public-domain text, read in full here on John Shaqi.
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